Are Arts Professionals doing enough to Advocate the Value of the Arts?

I recently attended an X-Trax Street Arts Networking Event in Manchester.  A point was raised by one of the people there in response to a newspaper article that was suggesting that attempts to make the arts appeal to the masses were failing.  The article justified this position by looking at the audience numbers and demographics for traditionally elitist art forms such as Ballet and Opera.

Unfortunately I have been unable to locate the article in question.  It was suggested by people at the meeting that we, as street arts professionals, should be doing more to highlight our success in reaching huge numbers of ordinary people.  It was also suggested that we should try and counteract the possible dearth of work and funding next year, (in the wake of the olympics) by blowing our own trumpets.  We should try and highlight all of the good work that we have done this year with the cultural olympiad money.

While searching for the article in question, I found another article which questions whether arts professionals are using the right approach to advocate the arts or whether they just come across as elitist and “luvvy”.  It also raises the issue of whether Equity’s approach of concentrating on the economic benefits of the arts is missing the point.  A lot of art that is truly in touch with ordinary people in the community is not about making a profit, but about wellbeing and quality of life; but are the government interested in that?  CLICK HERE FOR THE ARTICLE.

While I was perusing this article I saw an interview with Liz Pugh from Walk the Plank in a “culture professionals network” sidebar which seems to be doing exactly what was advocated at the meeting.  CLICK HERE FOR LIZ’S ARTICLE

If you are an arts professional, or anyone who values the arts and are concerned about the lack of artistic subjects in the new EBacc, there is a petition and other resources for campaigning on the “Bacc For The Future” website.  CLICK HERE FOR WEBSITE

On a different subject, we have peformed our Hansel & Gretel Toy Theatre show for the locals at Low Bentham Victoria Institute.  Everyone who attended really enjoyed it with 2 children who came back to see it a second time!  A big thankyou to everyone who came to support us.

Our next appearance is also a local one.  Our popular Shadow Puppet Suitcase show “Edward Lear’s Nonsense” will be seen in High Bentham for the first time at Santa’s Late Night Shopping Evening from 6pm on Friday the 7th of December.  There are lots of other exciting things going on, particularly for children.  CLICK HERE FOR MORE INFO.  I will have more specific details of where in the town centre I’ll be performing soon, so watch this space!

We’ll also be taking the Hansel & Gretel show to a birthday party and to a Pupil Referral Unit (where they’ll also be making their own shoe-box toy theatres).  And, in what I expect will be it’s last outing of the year, our “Alice in Wonderland” show is giving a North Yorkshire Primary School a Christmas treat.

As a little topic for thought and discussion.  Please leave your comments on the question “What is the best way to demonstrate the value of the arts?”  If you have comments on anything else in this post please feel free to stray from the question. 🙂

“Alice”, Spoon Puppets, “Devoted & Disgruntled” and a new Treasurer for a new Equity Branch

“We’ll follow Mr. Spoon!….”

Once again I have abandoned my loyal blog readers for far too long and I have a lot of news for you.

We have a performance of our ever popular “Alice in Wonderland” coming up at a Primary school and a rod puppet workshop coming up at another Primary School.  The picture shows my basic prototype for a spoon rod puppet that the children will be making to help them learn about joints.  We’ll also be looking at facial expressions and character and puppet performance.

Tim Austin and I attended the “Devoted & Disgruntled” roadshow session at the West Yorkshire Playhouse on Friday the 5th of October.  There were two days, but we were only able to make the second day.  Luckily for us, (and for all of you non-attendees out there) there are reports from not only the sessions at the WYP but from all of the roadshow sessions across the country, (click HERE to see reports).

For those of you who are wondering what on earth Devoted & Disgruntled is and what it’s got to do with me or you, I think the best explanations are on their website.  Basically, it involves anyone who is passionate about theatre getting together and having lots of mini-discussion groups discussing various issues about the past present and future of theatre. This may sound deadly dull, but essentially one person would pick a question that is of interest to them and anyone who was interested could go to that group and join the discussion.  Because of this, everyone would be talking about real issues of real importance to them.

The other interesting part was that you had an extremely wide range of people attending, from puppetry professionals like myself, “Odd Doll” and “Frolicked” to students, from professionals starting out, to heavy hitters from the big theatre institutions and companies including, of course, the West Yorkshire Playhouse itself.

I expected the discussions to be dominated by the big “important” people and that I would be mainly listening to what other people with more knowledge and experience than myself had to say.  But I ended up contributing a lot myself and felt that I was not only on a level with other people there but that some were actually looking up to me and seeking me out to ask questions which was an interesting experience.

I took part in a discussion about indoor and outdoor theatre and the relationships between them led by Beka Haigh, (Frolicked);  a discussion with Claire Symonds from the Arts Council who was gathering thoughts on how the arts council could make their grant application process less scary;  a discussion posed by Rebekah from Odd Doll on the role of puppetry in the future of theatre and Gloria Lindh, a theatre producer, posing a question about what to charge when you’ve got no money.

I met lots of really interesting and nice people in a relaxed environment.  It felt that everyone was being honest and sharing without any hidden agendas.  It was good to be with fellow professionals as it is easy to feel isolated, like you’re working in a bubble in our line of work.

I also have another more local support network to turn to now, in the form of the new North Lancashire & Cumbria Equity General Branch.  Previously, if I had wanted to attend an Equity meeting, my closest is the Blackpool Variety Branch which is quite a distance for a regular unpaid trip.

The New Branch had it’s first AGM in Lancaster on Monday the 15th and the details for the next meeting will be posted on the Equity website, (CLICK HERE) for anyone interested in attending.  I was so keen to make sure the branch is a success that I agreed to be Treasurer, (someone had to do it).

A surprisingly wide variety of people have been attending.  I was initially worried that no-one else would be in the same line of work as myself and so would end up not having issues relevant to me being dealt with;  but there was someone who runs their own young people’s theatre group (Whirlwind Theatre For Children) and someone else who works with puppets at the last meeting.  In any case, it is my job to make sure my own concerns are heard and not wait around for other people to guess what they are.  This group is a chance to make things happen and get involved.  You get out of a meeting what you put in.

Anyone who is in the North Lancashire and Cumbria area, please come along.  The plan is to make the meetings as fun and friendly as possible, with opportunities to showcase work in a supportive environment.  We are also aiming to provide local training that is relevant to members.  If you have other ideas for things that the branch can do, please come and share them.

It is also looking like I shall be doing some local Christmas performances, more news on that soon…