Happy New Year & 2025 in review!

Like a lot of people (especially creatives) I often suffer from imposter syndrome.

Although it may seem a little boring to see yet another overview of what someone did over the course of the previous year it is really important to remind yourself of what you have achieved. I am a perfectionist and I recognise that this can be a very negative mindset because perfection is something we can never achieve. Social media can also be a very negative thing as you see all the best possible pictures of people’s finished work or sped up time-lapse of a project that took, hours, weeks, months or even years of work in a matter of seconds and it is tempting to think that we can only be worthwhile if we create things that are the same as what others are putting out there in their feeds.

So, stocktaking and reflecting on what we have actually achieved in a year can give a big confidence boost when you realise that while you may not have ticked off everything on your perfection wish list, you have done a whole bunch of really great stuff. This can give you an “oh, yeah! I am doing pretty well” moment and an opportunity to pat yourself on the back.

If on the other hand you feel like 2025 was an absolute waste of time and space for you, try not to let that worry you either. Just remember that without even doing/”achieving” anything that you are a Wonder of the Universe just for existing. There has never been, and never will again, be anyone exactly like you. We don’t have to “achieve” things to be worthwhile and if you are able to slow down and appreciate the little things around you in the present moment instead of worrying about the past or the future that can be very good for your spiritual and mental health.

So below is my list of things I did in 2025 that I’m proud of and links to the blog posts with more pictures/videos etc. for you to peruse:

🎆I was featured in David Currell’s New Book “Puppets & Puppet Theatre“. Big thanks to him.

🎆I worked very hard on making an astounding number of shadow puppets for our New Fairytales shadow puppetry show for smaller venues like schools and libraries: “Fairytales of Wit, Wisdom & Witchcraft” including 6 fairytales (The Frog Prince, The Enormous Turnip, Little Red Riding Hood, Goldilocks, The Three Billy Goats Gruff and Chicken Licken). See following blog post links: New Year, New Shows!, Fairytale Shadow Puppets take shape, More New Fairytale Shadow Puppets, Nearly All Puppets Complete, More Shadow Puppets for Little Red Riding Hood Story Take Shape

🎆We were thrilled to be invited back to Congleton Food & Drink Festival with our Mad Hatter’s Tea Party walkabout show (CLICK HERE for show page).

🎆I was booked to run workshops and perform my Shadow Puppet suitcase shows for the opening of the new Sound & Vision Gallery at the National Science and Media Museum in Bradford. CLICK HERE for blog post.

🎆I performed as “Mom” and “Kai” for our first ever “Al & Kai’s Faboo News LIVE” show in Blyth at “The Happy Space” Inflatable Venue from Stellar Creates. This was part of the “Blyth Celebrates” events.

🎆I attended lots of theatre, puppetry, light festivals and networking events including Newcastle Puppetry Festival to see Matthew Robins “A Million Tiny Ants”, Stockton International Riverside Festival, Lightpool – Blackpool, Light Up Lancaster, Lumiere – Durham, “The Lion the Witch and the Wardrobe” at Blackpool Winter Gardens, and Skipton International Puppetry Symposium, (where I also ran a shadow puppetry workshop and performed my shadow suitcase shows).

🎆I participated in many of the fantastic events held for the Centenary of the British Puppet & Model Theatre Guild including an online Q&A with TV Puppetry legend Phil Fletcher, an online show & tell event and last but not least the fantastic Marionette Masterclass with Ronnie le Drew held at the Harlequin Puppet Theatre at Rhos on Sea, in Wales.

🎆I auditioned for Theatre by the Lake with a Shakespeare monologue and also for a Peppa Pig show with puppets.

🎆I also created a quick marionette using KNEX, which I even used to make a little festive demo video with. When I have time in between everything else this year, I will be renovating/restringing a wooden vintage Pinocchio marionette I got off Ebay so if you fancy keeping up to date with that and all my other news, please “follow” the blog (you can also subscribe to have it sent to you via email as a newsletter).

I’d love to hear something you are proud of from last year or what you like to do in January to reset and get ready for the New Year in the comments 😊.

Skipton International Puppetry Symposium

I attended the first ever Skipton International Puppetry Symposium this last weekend.

It was hosted by Skipton Town Hall who did an excellent job. The talks and networking opportunities were great. It was really lovely to see old friends and people who I’ve only encountered online before plus making new contacts.

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In the first panel discussion at the Symposium was posing the question “Where are we Now” in terms of the puppetry community. The panelists were Mike Dixon from the British Puppet Guild, Cariad Astles from BrUNIMA, Malcolm Knight from PuppeteersUK, Hugh Purves from The Puppet Centre (which is just getting back up and running again after a gap) and Clive Chandler from the PJF. Malcolm also brought his experiences from The Scottish Mask & Puppet Centre to the discussion as well.

David Micklem introduced the discussion and talked about how he felt that in the 90s puppetry was on the fringes but with productions such as “War Horse” and giant puppets by Royale de Luxe arriving on the scene puppetry arrived, (in terms of recognition of the artform).

It was acknowledged that things were difficult now in terms of getting work and funding and that we are in fact down to just one puppetry National Portfolio Organisation getting regularly funded by the Arts Council (Theatre-Rites). Clive also mentioned the lack of support for the arts from local councils now (Birmingham’s arts budget has completely gone and the Cannock Chase museum that Clive has been performing in regularly for years has also gone).

John Parkinson of Upfront Puppet Theatre in Cumbria had a more positive report that their theatre is now receiving a share of the arts funding from their local council for the first time after many years of running their business without any outside support. You can find my other posts about Upfront here: (Snow Queen, Stanelli’s Super Circus, Pied Piper, Commedia dell’Arte masks, Jack & the Beanstalk).

The speakers talked a bit about the organisations they were representing and then questions were taken from the floor including the discussion of the fact that there is not a tick box for puppetry as an art form on the Arts Council England grant forms when even relatively niche art forms like mime are represented. There was a lot of discussion about how we can start working together as a cohesive group to advocate for puppetry as an art form. PuppeteersUK was originally set up to do this job of bringing the puppetry community together in the modest form of a listings directory on a website and sending out a weekly newsletter. Nowadays anyone can make their own website very easily so the monetary support for PUK has been dwindling.

On the second day of the Symposium I attended the Devoted & Disgruntled session (CLICK HERE for my previous D&D at Leeds Playhouse post, CLICK HERE for D&D at The Little Angel Theatre post) at which one of the breakout sessions was discussing how PUK needed to change to address the new issues affecting the puppetry community and what new form it needed to take. This session segwayed into a different session that was thinking in a very freeform creative sort of way about an app for puppeteers that would be more like a game so that people (and younger people in particular) would want to engage with it something like Club Penguin. This was described as Puppet Utopia and was structured as a village with various areas to do different things e.g. a bank to talk about/access funding, a school for accessing puppetry training, a garden where new ideas can grow etc. etc.

I also formed my own session about how puppeteers can get paid a fair wage when the funding climate is so difficult and looked in on a session about the UK puppet festivals working together and maybe forming some sort of network and perhaps co-commissioning new work (something like WithoutWalls does).

You can also read about the discussion of Other Sectors & Wider Networks by clicking the link HERE

You can access the reports from all the Open Space discussions that have ever been held on the Devoted & Disgruntled website and search for whatever topics are relevant to you (including puppetry) in the drop down menus. I notice that not all the break out sessions have uploaded a report, so if this is you, please take a moment to upload a report of your group to the site, as this is a great resource for the puppetry community to be able to access.

You can see at the top some photos from the Halloween Shadow Puppetry Drop-In Workshop that I ran on the Sunday and below is a little video snippit from one of my audience members at my “Edward Lear’s Nonsense” show.

Do please leave a comment if you have anything to add about the Symposium and don’t forget, you can subscribe to this blog, if you would like to receive regular updates.

If you would like to book one of my suitcase shows or a workshop, you can Contact Me Here 😊.

More shadow puppets for Little Red Riding Hood story take shape

This is another update on the progress so far on the “Fairytales of Wit, Wisdom & Witchcraft” show.

After trying out all of the puppets that I have made so far with the Over-Head Projector and shadow screen I have been working out what extra puppets are needed to tell the stories. In many cases it is different sizes and arrangements of puppets I’d already made. You can see from the pictures that what I have been working on were larger scale articulated versions of Little Red Riding Hood and the Wolf which are to be used directly against the screen itself rather than on the flat bed of the OHP. I have also created a large scale head for Little Red Riding Hood to talk to the wolf, with an articulated mouth, (this is for the “Ooo Grandma what big eyes you’ve got” scene).

We have also decided to make two versions of the show, firstly a 30 minute version that I can do by myself which will feature “Little Red Riding Hood”, “The 3 Billy Goats Gruff” and “The Enormous Turnip” and an hour long version which will use two puppeteers (myself and Tim Austin) which will include the other three stories as well (“Goldilocks”, “The Frog Prince” and “Chicken Licken”).

Please feel free to leave a comment or a question about the puppets and how they are made. 😊

Please take a look at my WHERE YOU CAN SEE ME page for info. about free shadow puppet making workshop and shadow puppet suitcase performances at Skipton Puppet Festival coming up Sunday 19th of October.

Demo Videos of Experimental KNEX marionette in action

As a follow up to my post about how I made an experimental marionette out of KNEX, below are some videos demonstrating the marionette in action after stringing/attaching it to the upright control I made. I was inspired to make it by the Marionette Masterclass I went to at the Harlequin Puppet Theatre as part of the British Puppet Guild Centenary celebrations. The importance of daily practice in order to improve was mentioned so I thought I’d try the KNEX model as a quick experiment.

I feel the process has helped me to learn more about how the stringing and upright controls work. The KNEX does have many limitations for this purpose compared to conventional marionette materials (at present, as I say in the video below) the knees are able to bend in both directions, which is not ideal. It also has helped to reveal what kind of joints are useful on a marionette and which are less useful.

I am looking forward to further learning opportunities when I restring and refurbish the vintage wooden Pinocchio marionette I bought off Ebay, (he currently has no nose and his leg strings are attached to his feet rather than his knees). I think given that Christmas is creeping up very fast now that this will be a job for when I have time in the New Year.