Skipton Puppet Festival 2013!

The weekend before last I had the lovely experience of attending Skipton Puppet Festival as a visitor rather than a performer.  As I had performed at the previous 2 Skipton Puppet Festivals Liz Lempen thought (quite rightly) that it was time to give some other people a go.

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Automaton of “Shakeys Grand Day Out” by Keith Newstead in Skipton Museum where the PUK AGM was held – Click to see “making of” Blog entries by Keith

DSC00335I also attended the Puppeteers UK AGM at the Town Hall on the Friday.  If you are not aware of this wonderful group, it is a collection of different puppetry groups such as BrUNIMA, B.P.M.T.G. Punch & Judy Fellowship etc. and has various useful benefits such as a directory of members and an extremely useful weekly newsletter which pools up to the minute puppetry info. in one place.  Members even flag up job opportunities to each other as well as being an opportunity to advertise performances that you are doing currently.  I have found it very useful indeed becoming a member and would recommend it to anyone.

I got the opportunity to finally meet the editor of the newsletter Peter Macdonald with whom I have had many email discussions over the 2 years I’ve been a member.  I also got to put a face to the name of Pauline Venables a lady from Doncaster who is very active in the toy theatre scene.

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Via Via

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Via Via

Tim and I saw two excellent shows “Via Via” by a Dutch gentleman and “Do Fish Drink Tea?” by Garlic Theatre.

“Via Via” was very excellent physical theatre and clowning combined with very skilful, intelligent and funny puppet manipulation, but not really one for the kids as a lot of the nuances would go over their heads.  Though the more obvious slapstick elements would obviously appeal to anyone.

"Do Fish Drink Tea?"

“Do Fish Drink Tea?”

"Do Fish Drink Tea?"

“Do Fish Drink Tea?”

“Do Fish Drink Tea?” was very professional and skilfully performed.  I particularly liked the live music and sound effects.  It did not have a strong narrative but was very surreal, fun and playful.

I returned on Saturday with some friends and family and made a point of seeing Ronnie Le Drew’s bag show.  I had missed this when he did it in the LSP tent 2 years ago and had been very disappointed.  I was not disappointed this year.  Among a host of charming puppet characters the highlight had to be seeing 2 of the original Sooty and Sweep puppets that Ronnie had inherited from Matthew Corbett.  Matthew was the host of the Sooty and Sweep show that I watched as a child.

Other highlights of the day included the Pulcinella show which was a slapstick masterpiece and it was fabulous to see the Italian roots of our British Punch & Judy tradition.  The Italian language was no barrier at all to understanding what was going on.

I also finally got to see “Plain Bob” by Noisy Oyster.  I have been at numerous puppet festivals where this show was on and didn’t have time to watch because I was performing!  It was absolutely charming and I still do not know how Bob managed to move on his own without the puppeteer laying a finger on him while he was sat on his little chair.  There was something extremely clever going on there all right!

Below are some videos of the festival that I have found made by Melvyn Rawlinson and Andrew of Puppet Vision fame.

Suitcase Theatre to Pram Theatre?

Christmas Entertainment for "Santa's Late Night Shopping Evening", outside the "Coach House", High Bentham

Christmas Entertainment for “Santa’s Late Night Shopping Evening”, outside the “Coach House”, High Bentham

The Shadow Suitcase Theatre that I created way back in 2004/2005 proved extremely popular, pretty much, from the word go.  It is unusual and quirky and has the advantage of enabling the performer (me) to go and find an audience rather than the other way round.

The one-man-band aspect of singing and stamping, with jingle bells attached to my leg, also seemed to be very popular with audiences too.

The first show I created for it, “Jabberwocky!”, also proved to be a happy choice as it is a great favourite for a lot of people.  One of the obvious advantages of the poem/story is that it’s fairly short and, as such, would not clutter up the interior of the suitcase with more puppets than could be managed at once.

After a while, it became obvious that I needed a new show to go in the theatre so that I’d have something fresh to offer to festivals who might want to invite me back.  I created this second show, “Edward Lear’s Nonsense”, shortly after starting this blog, so you can see the details of my thought processes for creating this show if you search in my earlier posts.

My good blog readers kindly helped me to indentify that another musical poem would be preferable to a spoken version because less people have singing in their puppet shows.

There were far more characters, & therefore puppets, in “The NewVestments” (the Edward Lear poem of choice for the show) and I was still stuck with a suitcase of exactly the same size to store the puppets in.  Luckily, I came up with the idea of fitting the puppets between a concertina of card to help keep them in order whilst performing.

I had come up with a number of ideas for this show that wouldn’t have worked with this suitcase theatre because the suitcase was too deep (or my arms too short).  Thus, I have had in the back of my mind the idea of creating an all new, all singing, all dancing, super-duper suitcase shadow theatre using a more conventionally shaped suitcase, with a “landscape” or “wide screen TV” style shadow screen.

A number of audience members have also, over the years, told me that they would have liked to watch something slightly longer as they were enjoying it so much.  I always saw that as a plus because it is better for an audience to want more than to be bored.  Last year, I had comments from the “Edward Lear’s Nonsense” audiences saying they would have liked to see the puppets on the screen for longer or that they would have liked them to be bigger so that they could take in all of the detail.  I think the children had no problems as they can take things in very quickly and have good eyes for small detail (it tended to be adults that would make these remarks).

As I said earlier, if I made the puppets and the screen larger so that the audience could see them better I would immediately encounter a practical problem with how to store big puppets in a small space, (a space that I have to carry strapped to my body – so weight is also an issue).  If the theatre is made large enough to store large puppets then it would no longer be possible to use it in the way my current theatre is, (strapped on like an ice-cream vendors tray).

This led me to thinking; I’d not have to worry about carrying all the weight around if I were to swap to something like a trolley on wheels or some kind of pram-base.  I could store my mini P.A. system in the shopping tray in the bottom.  I could also try to work out something  more rain-proof than my current set-up.  If it was actually an old style pram, they come with rain hoods already on them – I could perhaps use the original fittings to shower-proof my shows.  The interior of a pram would also contain more room to store bigger puppets.

Thinking of ideal case scenarios as I was perusing vintage prams on Ebay, I noticed that a lot of them had a removable carry cot with handles.  What would stop me from having not only a new, slightly larger, shower proof shadow theatre, but also a portable toy theatre that could be attached or slotted into the pram base as well?

So this is my latest project idea: to create a new portable shadow/toy theatre using a pram base that will enable me to make the puppets slightly larger and, theoretically, to make the shows slightly longer if I want to.  It will also mean that it will be slightly less hard work for me (wheeling something rather than carrying something strapped to my body).

I do have a pram base already as they are so useful in street theatre for large processional puppets, lanterns and percussion rigs etc.  I will have a look at that first to see what potential it has.  Also, on March the 16th in Bentham, there will be the B.E.S.T.(Bentham Environmentally Sustainable Town) annual “Give & Take Day” which is extremely popular and a good way of reducing waste going to landfill. I shall be keeping an eagle eye out there for unwanted prams too.

Currently, I am just investigating possibilities.  I am, as yet, unclear whether I want the theatre to actually look like a vintage pram or whether it’s just the practicalities of the pram that will be useful and not its appearance.  If any of my lovely readers have any ideas about good places to look for unwanted prams (bearing in mind our High Bentham location) or ideas for adapting prams into theatres that they’d like to share, please leave a comment.