Are Arts Professionals doing enough to Advocate the Value of the Arts?

I recently attended an X-Trax Street Arts Networking Event in Manchester.  A point was raised by one of the people there in response to a newspaper article that was suggesting that attempts to make the arts appeal to the masses were failing.  The article justified this position by looking at the audience numbers and demographics for traditionally elitist art forms such as Ballet and Opera.

Unfortunately I have been unable to locate the article in question.  It was suggested by people at the meeting that we, as street arts professionals, should be doing more to highlight our success in reaching huge numbers of ordinary people.  It was also suggested that we should try and counteract the possible dearth of work and funding next year, (in the wake of the olympics) by blowing our own trumpets.  We should try and highlight all of the good work that we have done this year with the cultural olympiad money.

While searching for the article in question, I found another article which questions whether arts professionals are using the right approach to advocate the arts or whether they just come across as elitist and “luvvy”.  It also raises the issue of whether Equity’s approach of concentrating on the economic benefits of the arts is missing the point.  A lot of art that is truly in touch with ordinary people in the community is not about making a profit, but about wellbeing and quality of life; but are the government interested in that?  CLICK HERE FOR THE ARTICLE.

While I was perusing this article I saw an interview with Liz Pugh from Walk the Plank in a “culture professionals network” sidebar which seems to be doing exactly what was advocated at the meeting.  CLICK HERE FOR LIZ’S ARTICLE

If you are an arts professional, or anyone who values the arts and are concerned about the lack of artistic subjects in the new EBacc, there is a petition and other resources for campaigning on the “Bacc For The Future” website.  CLICK HERE FOR WEBSITE

On a different subject, we have peformed our Hansel & Gretel Toy Theatre show for the locals at Low Bentham Victoria Institute.  Everyone who attended really enjoyed it with 2 children who came back to see it a second time!  A big thankyou to everyone who came to support us.

Our next appearance is also a local one.  Our popular Shadow Puppet Suitcase show “Edward Lear’s Nonsense” will be seen in High Bentham for the first time at Santa’s Late Night Shopping Evening from 6pm on Friday the 7th of December.  There are lots of other exciting things going on, particularly for children.  CLICK HERE FOR MORE INFO.  I will have more specific details of where in the town centre I’ll be performing soon, so watch this space!

We’ll also be taking the Hansel & Gretel show to a birthday party and to a Pupil Referral Unit (where they’ll also be making their own shoe-box toy theatres).  And, in what I expect will be it’s last outing of the year, our “Alice in Wonderland” show is giving a North Yorkshire Primary School a Christmas treat.

As a little topic for thought and discussion.  Please leave your comments on the question “What is the best way to demonstrate the value of the arts?”  If you have comments on anything else in this post please feel free to stray from the question. 🙂

Monsters in Redcar, Woven Grass and Mrs. Santa

Horse + Bamboo’s Angus Mcphee

You have probably noticed that I have gone a bit quiet for a few weeks, but that is not because there’s been nothing going on.

We had a lovely time performing at the “That’s the Way to Do It” puppet festival at Kirkleatham Museum in Redcar.  Our giant Jabberwocky monster enjoyed getting out of the Rough Magic Theatre shed and menacing people.

Unfortunately as is often the case, both Tim and myself were performing at the same time so we could not take any decent photo’s.  There are however a couple of quite good shots in a slideshow at the bottom of the page in this local newspaper,  (click here to look).

We did struggle a little with the glass roof in the performance space for “Alice” which both let in a bit too much light for the best viewing of the shadow puppets and also leaked water onto us when there was a sudden downpour.  But I am told that they are looking to replace the roof next year and they are looking forward to it being a much improved performance space as a result.

On Sunday, as you’ve probably guessed from the picture, we went to see one of the extremely few performances in England of Horse + Bamboo’s Angus Mcphee – Weaver of Grass.  There is a link to Bob Frith’s blog about the show on my blogroll.

I have been a very big fan of Horse + Bamboo’s work for many years.  I first I saw them perform “Harvest of Ghosts” at Streets Ahead in Manchester some years back.  I liked that show because it combined powerful imagery, atmospheric music and a deeply affecting moral message.  I had also been impressed with the dark humour and the way the story was expressed so clearly with such minimal use of words.  Indeed, spoken words were entirely absent but there was some use of written signs to express meaning.

Angus Mcphee had a very different atmosphere to that particular production though it had some of the same hallmarks.  It was a biography of a real man, Angus Mcphee, a crofter.  It covered his childhood in a very joyful, energetic and funny way.  It made good use of a variety of different types of puppet as well as masks, including glove puppets, some lovely horses and a cow with an udder made from a red rubber glove.

They used something which I think is a relatively recent innovation for them, which was shadow puppet film.  It was beautifully done and achieved effects that would have been impossible to do live, but I think they lacked the life and immediacy of live shadow puppetry.

They dealt with the darker areas of Angus’s history very well too and I was particularly impressed by the way they portrayed Angus’s treatment in the mental institution.

I ended the play being intensely interested in the real Angus Mcphee and although his story was sad I was not swept away emotionally.  This was partly because, as a puppeteer and theatre practitioner, I was busy dissecting the techniques they were using and working out how things were done.  The other part though, was that I think the show achieved perfect Brechtian alienation through the use of masks, puppets, puppeteers and singers on view, non-realistic scenery, projections etc.  I don’t know if this was the same for everyone who watched the piece, but I felt entertained and instructed but not swept away by emotional empathy, (Brecht would be proud).

I am also back working with the infamous Leo Nolan, (Rough Magic Theatre’s former artistic director).  After a break doing other things he is returning in the charming guise of the hilariously inept Ralph the Elf.  Together with Mrs. Santa, (yours truly) they decide to put up a Christmas tree, just as they do every year.  What could possibly go wrong?  Stuffed to the brim with slapstick, this is a cheery little show for younger children.  You can see more information on this, and other shows and workshops for Christmas on the new Christmas Events page, (CLICK HERE).

Don’t forget we have a page with shows and workshops for Halloween events too, (CLICK HERE).