Shadow Shows and Workshops in Schools!

Earlier this year I visited Bramham and Shadwell primary schools in Leeds.

I was invited to inspire the kids who had been making their own puppets in class.

They were treated to a triple bill of short shadow puppet shows (“Jabberwocky!“, “Edward Lear’s Nonsense” and “The Interrupted Wedding“) followed by Q & A about the shows and the puppets and my life as a puppeteer.

Alice Bunraku style puppet

I also brought a variety of different puppet types for them to see and explain how they worked and what countries in the world they came from. As the children had been making glove puppets I mainly showed them some different kinds of glove puppets and we talked about the different hand positions you can use when operating glove/hand puppets and I also brought my Alice Bunraku style puppet to show them as it is probably the most interesting puppet I own. The kids always love seeing how the head goes on and off and has a wig made from my own hair.

The children were all very engaged and had lots of interesting questions. They seemed very inspired by the puppets and loved the music in the “Jabberwocky!” show.

All the teachers were very helpful and welcoming at both schools, so a big THANK-YOU to them.

Later in the year I visited Bishop Rawstorne C of E High School in Croston for their special Chinese cultural day. The Year 7s and 8s were celebrating many different aspects of Chinese culture and there were lots of different people running many different workshops including lion dancing, calligraphy, cookery etc. and I was employed to perform one of my shadow puppet shows and run a Chinese style shadow puppetry workshop.

As time was limited I opted to make simplified versions of traditional Chinese puppets by concentrating just on silhouette style puppets rather then translucent ones with colour.

I made a series of templates for the children to use based on the 12 animals in the Chinese Zodiac story and as there was very little/no time to actually rehearse with the puppets and the school were very keen to have the children perform a show I thought this story would be a good choice as they could parade their puppets from one side of the screen to the other to show the animals crossing the river and everyone who wanted to would get a chance to perform.

Below is the process of me making the prototype for the tiger puppet based on one from the V&A museum collection. The Victoria and Albert Museum have a very large puppet collection and the costume section is definitely worth a visit too, (CLICK HERE for my previous blog post on a visit to the V&A)

I did a lot of research on Chinese puppetry and puppets in preparation and discovered how much more there is to traditional Chinese puppetry than I realised. There is not just one Chinese shadow puppetry tradition but several different ones from different parts of China each with its own artistic style and construction methods. I also found out that Chinese Shadow Puppetry is on the UNESCO list of Intangible Cultural Heritage of Humanity, (CLICK HERE to find out more).

I searched for pictures of traditional Chinese shadow puppets and recreated my own simplified versions and in the process discovered lots of interesting things about the way the puppets were jointed. I found a picture of a Chinese Lion puppet (I know it’s not a Zodiac animal, but I did extra lions and dragons so that there would be enough puppets for all the children) and when I recreated my own version was astounded at how well it moved and in particular the fact that you could get such a huge variety of movements using just one stick on the lion’s head and one on its tail. It made me realise that when you see a picture of a Chinese shadow puppet, you are only getting a small appreciation of what it is like compared to seeing it perform, because so much of what is brilliant about them comes from the jointing and the way they move.

The traditional puppets were made so that one puppeteer is able to operate several puppets at the same time, sometimes with more than one in each hand!

If you would like me to visit your school for a performance or a workshop CLICK HERE to get in touch. You can find out about the different types of workshops we offer on our website by clicking HERE.

We will be starting to design and sell templates for shadow puppets that you can print out for yourself at home. I was thinking of basing them around traditional fairy tales. If you have any suggestions of templates you would like to see, please reply to this post with your ideas 🙂

Rough Magic Theatre at Covent Garden May Fayre and Puppet Festival

Here are some pictures we took while performing at the Covent Garden May Fayre and Puppet Festival on Sunday.

As you can see, we had excellent weather for shadow puppetry as it turned out to be a very sunny day, (that is all using sunlight with no artificial light at all). It is of course possible to do the show in less sunny weather and indeed night time events as I can use my battery powered strip light for that.

I decided to do our “Edward Lear’s Nonsense” show as it is slightly longer than “Jabberwocky!” and thought people would feel they were getting more value for money, I had also already performed “Jabberwocky!” in London and felt like it was worth trying out the other show this time. However, for busking purposes, I can’t help wondering now if the “Jabberwocky!” show would have been better, as with only 8 puppets, the turn around time for performing again would have been faster.

We saw some famous TV puppeteers including Phil Fletcher, Warwick Brownlow-Pike, Ronnie le Drew etc. but missed Harry Hill as we decided to stay with our pitch and didn’t realise that he was the “special event at 3pm.” We also met the incredibly talented ventriloquist/comedian Max Fulham in person for the first time. Max has appeared on TV in Crackerjack amongst other appearances and should definitely be given his own TV show (in my opinion).

Anthony and Miranda really enjoyed themselves and did the whole of the big parade with their Punch and Judy puppets. There was a bit of argument over who should have Mr. Punch, however, and I fear that I might be better off bringing the crocodile instead of Judy if there is a next time. Poor old Judy!

We also brought the Rough Magic flag with us for the parade which was originally made for Glastonbury Festival.

As well as seeing a few old friends we met some new ones. Paul Jackson (our next pitch neighbour) was very friendly and helpful and we also met Cath March of “Invisible Needs” who kindly put us all up at her flat for the weekend, many thanks to both of them.

We also managed to squeeze in a visit to the Victoria and Albert Museum to see the puppets etc. on the Saturday, (see above).