Category Archives: The Tempest

Progress on New Scratch Show and a new Website

Posted on by Collette Knowles
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CLICK TO VISIT www.roughmagictheatre.co.uk

We have been very busy organising lots of things for our scratch performance piece “7 Songs of Love” for the Scratch Space at Beverley Puppet Festival.

We visited Promenade Music Shop (in Morecambe) to ask for advice about P.A. systems that could do everything that we need them to do. They recommended the Yamaha Stagepas 600BT Portable Blue tooth P.A. system and mentioned that More Music already had a couple and had ordered 2 more. They also told us that there was a very long wait on these kinds of products at the moment and that we might struggle to get hold of one in time for our gig.

We mentioned that we would like to be able to use radio-mics with the P.A. but they said that they are very expensive. I mentioned that I already had a portable Megamouth Pulse mini P.A. system which came with radio mics and they suggested we could use these existing mics by connecting the two P.A. systems together (something that had not occurred to me before).

So I had a word with Ben McCabe from More Music to ask if we could try out the ones that they had and maybe borrow them for the performances. We also asked if they were able to spare us some space for R&D/rehearsal.

Ben very kindly agreed to all of the above in exchange for a free performance and workshop from us further down the line (Ben was thinking that the workshop would be good for October when they are doing a Fun Palace event). We suggested that we would do the performance for them after we had got feedback from the Beverley Puppet Festival event and rejigged the show based on this feedback.

I have also had help offered to me from my long time Shadow Puppetry mentor Ali Clough, (who also lives in Bentham). We had a look at her portable shadow screen to see if it would be useful for our show. It would require tweaking to get it to work for what we want and would be a fairly complicated thing to set up for something that is not actually quite right for what we want, (it would require re-covering as the screen fabric is very old and a little discoloured and damaged). At present we are thinking we might use a variation on the system we use for shadow puppetry workshops (involving extendable clothes props, a table and a clothes line). We want to try and build a show that will fit into just one car so we need something that can pack small but unpack to a relatively large size. We ideally want a size of screen that is bigger than the one on our old RMT booth that we used for “The Tempest” and “Alice in Wonderland” as the new show is going to be a solely shadow puppetry show rather than a combination of puppet types like these older shows.

Ali Clough’s Portable shadow screen with shadow puppets from her project with Leo Nolan-Evans.

We could still do with finding some rehearsal space more locally in Bentham but have not come up with any workable ideas on that yet. We need to find somewhere that can let us work during school-time hours which is when we will have time free from looking after the children. Our daughter is starting at the school nursery after the Easter holidays so I will have much more time to devote to my theatre work from then onwards as I had previously been looking after her on 3 weekdays.

I had been thinking of asking to look at the costumes at the Grand Theatre in Lancaster with a view to renting something out only to discover that they do not hire out costumes any more. I am currently looking into “Northern Costume Hire” in Barnoldswick instead.

I have also been working on our main Rough Magic Theatre website (www.roughmagictheatre.co.uk). I finished making a new website on WordPress.com some time ago but was unsure about how to transfer this new site to our existing domain name and how to get rid of the old site (or whether we needed to).

I got help from a local Bentham business “A White Knight I.T.” and worked out a way to do do it by transferring to their web hosting service and copying the new website across. This has avoided me having to pay 1&1 IONOS and WordPress as well in order to forward the site from IONOS to WordPress. However, it has not been a completely smooth process and not everything on the site was working as it should straight away.

I would appreciate it if as many people as possible could visit the site (CLICK HERE to visit) and tell me if all the links are working properly, if you can see the pictures and slideshows and generally let me know what you think. You can leave any feedback as a reply/comment on this post please.

A Visit to the Harlequin Puppet Theatre

Posted on by Collette Knowles
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I wrote the blog post below before all the business with Covid-19 and social distancing kicked off and unfortunately it is not currently possible to visit the Harlequin puppet theatre for a show.  However Chris has been busy and has compiled a series of online puppet videos which you can view by clicking HERE

 

We have a good friend who lives in Porthmadog, North Wales, who we have visited and stayed with on a number of occasions and each time the route has taken us through Colwyn Bay.  I kept thinking to myself that we should visit the Harlequin Puppet Theatre at some point and then didn’t get round to it.

So when we visited my friend at October half-term time in 2018, we discovered the theatre did have a show on (the theatre has its showings at school holiday times).  So we booked some tickets and took my friend with us as well.

I was surprised that she had not heard of the Harlequin Puppet Theatre before but perhaps it is less well known to non-puppetry enthusiasts.

I had looked up the theatre previously on Trip Advisor and found many glowing reviews from the parents and grandparents of young children and so I had a good idea of what to expect.

The Harlequin is, very much, a one man operation.  Chris Somerville works the box office, acts as usher, M.C., marionette puppeteer and magician as well as selling the interval refreshments.

Indeed, for everything that is included (and compared to other tourist attractions for entertaining families on offer) the whole thing is extremely reasonably priced.

It a small audience when we visited, as the main Welsh school holidays had not started yet.  But as part of the small but select audience, Chris was entertaining some of his fellow puppeteer friends (including Geoff Felix whom I had met previously at various puppetry events such as Skipton Puppet Festival).

I was pleasantly surprised to see how good the auditorium was looking, given what I had heard about the previous arson attack on the theatre.  You could see that the fire door had been replaced with a modern plain door which I presume is a temporary fix until Chris can afford something more in keeping with the period of the original theatre interior.  It also appeared a small section of the ceiling had been replaced with a temporary fix as well.

The show consisted of a fairytale “The Gooseberry Mandarin” written originally in 1928 by Grace Dorcas Ruthenburg as a one act play and originally adapted for the puppet stage by Eric Bramall.

It says on the website that Chris has created this as a new production in 1999, but I am guessing it uses the original voice artists, soundtrack and puppets created by Eric Bramall “back in the day” and perhaps Chris adapted the show to be performed with a single puppeteer, (you can see from the video below that in its heyday the Harlequin productions used more than one puppeteer at a time) in 1999.  It had a sense while we were watching it of stepping back in time to a previous era.

Our young son Anthony (who was about 18 months old when we visited) was kept entertained through this simple, charming (and fairly short) story after which there was an interval where we enjoyed some ice-creams.

The next section was Chris as Mr. Bimbamboozle doing magic tricks with the assistance of a young lady from the audience.  Chris is extremely good at interacting with the children and the fact that his repertoire and format does not change means that he is extremely well practiced and experienced at what he does and this shows.  He had great stage patter and all the comedy magic tricks were expertly done.

After this came a marionette cabaret using short string marionettes with Chris visible up front operating the puppets.  This is obviously a real treat for the children (and the adults) who may be used to CGI tricks where you cannot see how it is done and is not physically present in the room.  I have found in our shows audiences entranced by very simple techniques in our show “The Tempest“.  On one occasion a man could not understand how the shadow puppets were operated when no-one was inside the booth to do it.  It didn’t occur to him that the puppets were not actually moving at that point!

Again the marionette puppeteering skills were incredibly good.  A Shirley Bassey pastiche puppet was very amusing (“Burly Chassis”) though a little dated perhaps.  On the other hand – a classic performer like Shirley is a good choice for a puppet with a long run as modern performers come and go and the current flavour of the month in pop music does not last as long as a puppet does!

The format of the entertainment, using multiple short performances with an interval as well, plus the extremely good interaction with the audience as Master of Ceremonies meant that our 18 month old son Anthony stayed enthralled in his seat throughout.  Anthony was quiet during the performances and did not seek to escape and walk around the room.  This was great, as we had to take Anthony out when we attended Upfront’s “Pied Piper of Hamelin” with him.  This was no fault of Upfront’s production, it was just designed for an older audience and indeed, Anthony was younger when he saw it.

So to conclude, I would heartily recommend anyone (especially puppetry enthusiasts and families) to visit the Harlequin Puppet Theatre (once he is back up and running) and see a show if you’re in the area to be thoroughly entertained by a master performer!

Click the link to the Wikipedia entry below for more information about the theatre.

Wikipedia entry