Shadow Shows and Workshops in Schools!

Earlier this year I visited Bramham and Shadwell primary schools in Leeds.

I was invited to inspire the kids who had been making their own puppets in class.

They were treated to a triple bill of short shadow puppet shows (“Jabberwocky!“, “Edward Lear’s Nonsense” and “The Interrupted Wedding“) followed by Q & A about the shows and the puppets and my life as a puppeteer.

Alice Bunraku style puppet

I also brought a variety of different puppet types for them to see and explain how they worked and what countries in the world they came from. As the children had been making glove puppets I mainly showed them some different kinds of glove puppets and we talked about the different hand positions you can use when operating glove/hand puppets and I also brought my Alice Bunraku style puppet to show them as it is probably the most interesting puppet I own. The kids always love seeing how the head goes on and off and has a wig made from my own hair.

The children were all very engaged and had lots of interesting questions. They seemed very inspired by the puppets and loved the music in the “Jabberwocky!” show.

All the teachers were very helpful and welcoming at both schools, so a big THANK-YOU to them.

Later in the year I visited Bishop Rawstorne C of E High School in Croston for their special Chinese cultural day. The Year 7s and 8s were celebrating many different aspects of Chinese culture and there were lots of different people running many different workshops including lion dancing, calligraphy, cookery etc. and I was employed to perform one of my shadow puppet shows and run a Chinese style shadow puppetry workshop.

As time was limited I opted to make simplified versions of traditional Chinese puppets by concentrating just on silhouette style puppets rather then translucent ones with colour.

I made a series of templates for the children to use based on the 12 animals in the Chinese Zodiac story and as there was very little/no time to actually rehearse with the puppets and the school were very keen to have the children perform a show I thought this story would be a good choice as they could parade their puppets from one side of the screen to the other to show the animals crossing the river and everyone who wanted to would get a chance to perform.

Below is the process of me making the prototype for the tiger puppet based on one from the V&A museum collection. The Victoria and Albert Museum have a very large puppet collection and the costume section is definitely worth a visit too, (CLICK HERE for my previous blog post on a visit to the V&A)

I did a lot of research on Chinese puppetry and puppets in preparation and discovered how much more there is to traditional Chinese puppetry than I realised. There is not just one Chinese shadow puppetry tradition but several different ones from different parts of China each with its own artistic style and construction methods. I also found out that Chinese Shadow Puppetry is on the UNESCO list of Intangible Cultural Heritage of Humanity, (CLICK HERE to find out more).

I searched for pictures of traditional Chinese shadow puppets and recreated my own simplified versions and in the process discovered lots of interesting things about the way the puppets were jointed. I found a picture of a Chinese Lion puppet (I know it’s not a Zodiac animal, but I did extra lions and dragons so that there would be enough puppets for all the children) and when I recreated my own version was astounded at how well it moved and in particular the fact that you could get such a huge variety of movements using just one stick on the lion’s head and one on its tail. It made me realise that when you see a picture of a Chinese shadow puppet, you are only getting a small appreciation of what it is like compared to seeing it perform, because so much of what is brilliant about them comes from the jointing and the way they move.

The traditional puppets were made so that one puppeteer is able to operate several puppets at the same time, sometimes with more than one in each hand!

If you would like me to visit your school for a performance or a workshop CLICK HERE to get in touch. You can find out about the different types of workshops we offer on our website by clicking HERE.

We will be starting to design and sell templates for shadow puppets that you can print out for yourself at home. I was thinking of basing them around traditional fairy tales. If you have any suggestions of templates you would like to see, please reply to this post with your ideas 🙂

A Whole lot of puppet stuff!!! Pt.1of 2 – Lancashire Encounter & Skipton Puppet Festival

Hello everyone – I have been quiet for ages for the pleasant reason that I have been super busy.  I’ve been so super busy that I can’t tell you about everything in one go so tune in next week for more puppetty adventures!

First of all “Fred Fettler’s “Pony 3000” – The Transport of the Future” show trotted off to Preston on the 26th & 27th of September for a “Lancashire Encounter”!  “Lancashire Encounter” is a festival that is new this year and hopefully could turn into an annual event to fill in the space between the Preston Guild Celebration years.

We had a fantastic time encouraging the locals and visitors to try our fabulous pedal powered vehicle from the future.  What made the event even nicer was that the organisers had thoughtfully put the puppetry people next to each other so our next door neighbour was Mark Whitaker from Horse + Bamboo with his wonderful Chinese glove puppet show “Festival”.  We had seen Mark perform this fabulous show at Skipton Puppet Festival previously.

CLICK HERE to see photo’s from the “Lancashire Encounter” Facebook page.

 

And speaking of Skipton Puppet Festival – This was on the following week (2nd-4th October) and Mark was doing “Festival” again when we visited Skipton to check out all the shows.

Having seen him perform it about 20 million times the week before we decided to concentrate on enjoying the other shows that were on offer at Skipton.  You can see some of the things we enjoyed in the photo’s above.

We also took the opportunity to go and see Indigo Moon perform their “Jungle Book” show which was absolutely fabulous and used a lot of clever, modern shadow puppetry techniques.  I was particularly interested to watch the techniques Anna Ingleby uses because she is a solo puppeteer in their shows.  Haviel Perdana does all the sound and lighting etc. but only Anna does the puppeteering.  It is tempting to think that less can be done in a show if one has less puppeteers but Anna certainly does not leave the audience short-changed in their performances.  There was enough going on to keep an audience of both young and old enthralled for a whole hour and everyone was invited to see the puppets and scenery afterwards and ask questions too.

We also visited Indigo Moon’s “Minster Monster” shadow puppet installation which was very interesting and used “monsters” from Beverley Minster as inspiration.  What was especially impressive was that the display was still in good working condition despite being left for people to play with unsupervised for extended periods of time!

I was also particularly pleased to have the opportunity to see “Kabaret de Poche” having seen their website including videos of the show and a fun origami mouth instruction video!

My next post shall tell you all about our trip to Lincolnshire to perform our “Alice in Wonderland” show at Wolds Words Festival, our visit to London to teach shadow puppetry to 1st year puppetry students at Royal Central School of Speech and Drama and a visit to a primary school in Middlesbrough to make hand and string puppets!

In the meantime if you are needing some last minute Christmas entertainment please CLICK HERE to check out our Christmas Shows! 🙂