Suitcase Theatre to Pram Theatre?

Christmas Entertainment for "Santa's Late Night Shopping Evening", outside the "Coach House", High Bentham

Christmas Entertainment for “Santa’s Late Night Shopping Evening”, outside the “Coach House”, High Bentham

The Shadow Suitcase Theatre that I created way back in 2004/2005 proved extremely popular, pretty much, from the word go.  It is unusual and quirky and has the advantage of enabling the performer (me) to go and find an audience rather than the other way round.

The one-man-band aspect of singing and stamping, with jingle bells attached to my leg, also seemed to be very popular with audiences too.

The first show I created for it, “Jabberwocky!”, also proved to be a happy choice as it is a great favourite for a lot of people.  One of the obvious advantages of the poem/story is that it’s fairly short and, as such, would not clutter up the interior of the suitcase with more puppets than could be managed at once.

After a while, it became obvious that I needed a new show to go in the theatre so that I’d have something fresh to offer to festivals who might want to invite me back.  I created this second show, “Edward Lear’s Nonsense”, shortly after starting this blog, so you can see the details of my thought processes for creating this show if you search in my earlier posts.

My good blog readers kindly helped me to indentify that another musical poem would be preferable to a spoken version because less people have singing in their puppet shows.

There were far more characters, & therefore puppets, in “The NewVestments” (the Edward Lear poem of choice for the show) and I was still stuck with a suitcase of exactly the same size to store the puppets in.  Luckily, I came up with the idea of fitting the puppets between a concertina of card to help keep them in order whilst performing.

I had come up with a number of ideas for this show that wouldn’t have worked with this suitcase theatre because the suitcase was too deep (or my arms too short).  Thus, I have had in the back of my mind the idea of creating an all new, all singing, all dancing, super-duper suitcase shadow theatre using a more conventionally shaped suitcase, with a “landscape” or “wide screen TV” style shadow screen.

A number of audience members have also, over the years, told me that they would have liked to watch something slightly longer as they were enjoying it so much.  I always saw that as a plus because it is better for an audience to want more than to be bored.  Last year, I had comments from the “Edward Lear’s Nonsense” audiences saying they would have liked to see the puppets on the screen for longer or that they would have liked them to be bigger so that they could take in all of the detail.  I think the children had no problems as they can take things in very quickly and have good eyes for small detail (it tended to be adults that would make these remarks).

As I said earlier, if I made the puppets and the screen larger so that the audience could see them better I would immediately encounter a practical problem with how to store big puppets in a small space, (a space that I have to carry strapped to my body – so weight is also an issue).  If the theatre is made large enough to store large puppets then it would no longer be possible to use it in the way my current theatre is, (strapped on like an ice-cream vendors tray).

This led me to thinking; I’d not have to worry about carrying all the weight around if I were to swap to something like a trolley on wheels or some kind of pram-base.  I could store my mini P.A. system in the shopping tray in the bottom.  I could also try to work out something  more rain-proof than my current set-up.  If it was actually an old style pram, they come with rain hoods already on them – I could perhaps use the original fittings to shower-proof my shows.  The interior of a pram would also contain more room to store bigger puppets.

Thinking of ideal case scenarios as I was perusing vintage prams on Ebay, I noticed that a lot of them had a removable carry cot with handles.  What would stop me from having not only a new, slightly larger, shower proof shadow theatre, but also a portable toy theatre that could be attached or slotted into the pram base as well?

So this is my latest project idea: to create a new portable shadow/toy theatre using a pram base that will enable me to make the puppets slightly larger and, theoretically, to make the shows slightly longer if I want to.  It will also mean that it will be slightly less hard work for me (wheeling something rather than carrying something strapped to my body).

I do have a pram base already as they are so useful in street theatre for large processional puppets, lanterns and percussion rigs etc.  I will have a look at that first to see what potential it has.  Also, on March the 16th in Bentham, there will be the B.E.S.T.(Bentham Environmentally Sustainable Town) annual “Give & Take Day” which is extremely popular and a good way of reducing waste going to landfill. I shall be keeping an eagle eye out there for unwanted prams too.

Currently, I am just investigating possibilities.  I am, as yet, unclear whether I want the theatre to actually look like a vintage pram or whether it’s just the practicalities of the pram that will be useful and not its appearance.  If any of my lovely readers have any ideas about good places to look for unwanted prams (bearing in mind our High Bentham location) or ideas for adapting prams into theatres that they’d like to share, please leave a comment.

Are Arts Professionals doing enough to Advocate the Value of the Arts?

I recently attended an X-Trax Street Arts Networking Event in Manchester.  A point was raised by one of the people there in response to a newspaper article that was suggesting that attempts to make the arts appeal to the masses were failing.  The article justified this position by looking at the audience numbers and demographics for traditionally elitist art forms such as Ballet and Opera.

Unfortunately I have been unable to locate the article in question.  It was suggested by people at the meeting that we, as street arts professionals, should be doing more to highlight our success in reaching huge numbers of ordinary people.  It was also suggested that we should try and counteract the possible dearth of work and funding next year, (in the wake of the olympics) by blowing our own trumpets.  We should try and highlight all of the good work that we have done this year with the cultural olympiad money.

While searching for the article in question, I found another article which questions whether arts professionals are using the right approach to advocate the arts or whether they just come across as elitist and “luvvy”.  It also raises the issue of whether Equity’s approach of concentrating on the economic benefits of the arts is missing the point.  A lot of art that is truly in touch with ordinary people in the community is not about making a profit, but about wellbeing and quality of life; but are the government interested in that?  CLICK HERE FOR THE ARTICLE.

While I was perusing this article I saw an interview with Liz Pugh from Walk the Plank in a “culture professionals network” sidebar which seems to be doing exactly what was advocated at the meeting.  CLICK HERE FOR LIZ’S ARTICLE

If you are an arts professional, or anyone who values the arts and are concerned about the lack of artistic subjects in the new EBacc, there is a petition and other resources for campaigning on the “Bacc For The Future” website.  CLICK HERE FOR WEBSITE

On a different subject, we have peformed our Hansel & Gretel Toy Theatre show for the locals at Low Bentham Victoria Institute.  Everyone who attended really enjoyed it with 2 children who came back to see it a second time!  A big thankyou to everyone who came to support us.

Our next appearance is also a local one.  Our popular Shadow Puppet Suitcase show “Edward Lear’s Nonsense” will be seen in High Bentham for the first time at Santa’s Late Night Shopping Evening from 6pm on Friday the 7th of December.  There are lots of other exciting things going on, particularly for children.  CLICK HERE FOR MORE INFO.  I will have more specific details of where in the town centre I’ll be performing soon, so watch this space!

We’ll also be taking the Hansel & Gretel show to a birthday party and to a Pupil Referral Unit (where they’ll also be making their own shoe-box toy theatres).  And, in what I expect will be it’s last outing of the year, our “Alice in Wonderland” show is giving a North Yorkshire Primary School a Christmas treat.

As a little topic for thought and discussion.  Please leave your comments on the question “What is the best way to demonstrate the value of the arts?”  If you have comments on anything else in this post please feel free to stray from the question. 🙂