Sustainable Outdoor Arts

Me in hero pose picking up my new car

I recently attended an online sustainability symposium hosted by Wild Rumpus which was looking at all the things that we are, could and should be doing to make our work as outdoor artists more sustainable.

At the beginning of the year we made a big step as a household and as a theatre company towards greater sustainability by swapping our vauxhall zafira for a second hand Nissan leaf.

The zafira was a swap from a Vauxhall Combo van without rear passenger seats so that we would have somewhere to put child car seats following the birth of our first child in 2017. It was a good choice for a compromise between personal and business use as the seats fold down to provide a very large amount of space for carting puppets/sets /workshop materials etc.

Then came the announcement about all new cars being electric from 2035, (more recently they are considering bringing this forward to 2030). In addition to this my car had turned 5 years old and I had just had to get it seen to for its first major repair job (while in my ownership). I felt like the longer I kept it the less it would be worth and the more repairs it would be likely to need.

Tim (my co-performer in RMT and husband) had already started using an electric vehicle (a Renault Zoe) as a second car for our household. So, I felt relatively comfortable with the idea of switching to an electric vehicle of my own as I had already had experience of driving his.

One of the main differences is that it has no gears so those people who have driven automatic cars would find the swap to an electric vehicle quite an easy one.

I decided to get a second hand vehicle as I would be able to buy this using a hire purchase arrangement and at the end of 5 years I will own it outright and have something to show for my investment. At the time, Tim had a PCP on his Zoe and has now switched to a new lease (and a newer Zoe) without the option to buy. I wanted a car at the end of my payments.

So I got a Nissan Leaf which, while nothing like as big as the Zafira, has a fairly roomy boot and the ability to fold the rear seats flat for extra storage space. It is bigger than the Zoe but has a smaller battery (30 kwh) which gives a range of 120 miles with a fully charged battery in ideal conditions (it does not perform as well in the cold).

Before lock down we had the delightful plan of visiting the Covent Garden May Fayre and Puppet Festival for the first time in my new car. This happens every year and commemorates the first documented sighting of Mr. Punch by Samuel Pepys in his famous diary (so it is the official birthday of Mr. Punch).

We were going to take the children too and make it a sort of bus man’s holiday and stay overnight the night before. We had not been previously as the travel costs for us from North Yorkshire to London for an unpaid gig are very expensive but with an electric car we felt the trip would be within our means. We also felt it was worth trying as an experiment to see how practical it would be to use the car to transport the shadow puppet suitcase show to London in this car.

It was going to take a long time to get there compared with a vehicle with a bigger range (hence the need for an overnight stay) but it was going to be an epic electric car adventure.

Then lock down happened, the live event was cancelled and the May Fayre moved online instead.

So the only business journey I actually have done in the new car was to ‘For The Love of It‘ a street arts networking event in Manchester which happened immediately before lock down. The car performed well. The inbuilt sat nav got me to the venue (Cobden Street Works the new base of Walk the Plank) which I had never visited before without a hitch. I navigated to a nearby Instavolt charger at a garage and put on enough charge to enable me to complete the return journey and that was that.

One major change I have had to take on is the use of a smartphone which I inherited from my husband when he upgraded his. A lot of electric chargers require the use of a mobile app for that particular network (and there are lots of different charging networks). Instavolt, however, is one of the networks that allow you to charge using a contactless debit / credit card and the charger had lots of simple easy to read buttons that light up in order to tell you what to do.

I have since discovered that I was fortunate in my choice of first charger experience as Instavolt are very reliable and easy to use compared to some other networks. Some charging points can be broken when you turn up or the charging point works but the app doesn’t.

Another problem for some electric charging points is that they can be ‘Iced’ (the parking space is taken up by an internal combustion engine vehicle) which stops electric vehicles from using them.

The solution to a lot of these problems is Zap Map. This is an app which let’s you plan your journey. You input the range of your vehicle, where you want to go and it suggests charging points you might want to use to get there.

You can see if anyone is using the charging points, whether any are broken and users can report issues they have had with the chargers and upload pictures of the charging station so you can see what it looks like and find them more easily. So if you are planning a long journey and can see a particular charging point is having technical problems over and over again then you can simply choose a different charging point for your route. I think it eliminates what they call ‘range anxiety’ pretty much altogether. If you have plenty of money that is not such an issue any more anyway as most new electric cars have enough range to complete most journeys without the need to charge away from home (in the UK anyway as nowhere is very far away from anywhere else compared to America for example).

We are going to have a different epic electric car journey soon as we are going to Cornwall for 2 weeks. We are planning to use the Zoe as it has the greater range (particularly as we are now in Winter) and we need to get to YHA Eden project (where we are staying) by 10pm at the latest. This gives the different challenge of fitting everything for the holiday into the smaller bootspace This will include clothes for a 3 and a half year old and a 19 month old plus everything else they need and stuff for me and Tim. 

So I shall also be taking a holiday from blog writing for 2 weeks so there will be more on the progress of our Secret Keeper Shadow Puppet Murder Mystery Series then. Till then Very Best Wishes and stay safe to you all my lovely readers.

Stone Puppet Festival a Tremendous Success

 

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You can find more photo’s on Stone Festival’s Facebook page by clicking HERE

and pictures, reviews and videos on the festival page by clicking HERE

Stone Puppet Festival is a brand new festival which was organised by David Leech & Richard Jones.

Having read “The Sentinel” newspaper’s review of the festival I am astounded to find that it claims that this is the first puppet festival ever for the whole of Staffordshire.  If it is true then it is wonderful that people like David & Richard have seen this gap in the cultural life of Staffordshire folk and have made it happen.

We were very busy for much of the festival performing our “Alice in Wonderland” show, as we had 4 performances over 2 days.  This was great, as we really enjoy performing this particular show and the audiences we had were very appreciative.  However, this did mean that what with travelling, setting up, checking into the hotel room, actually performing and of course packing up at the end we did not get to see a great deal of other people’s work.

We did see a few familiar faces such as Clive Chandler, John Parkinson and Oliver Valentine (Upfront Puppet Company), and Chris Wylie (performing with Treasure Trove) which is always nice at puppetry events.

The festival was supported by the British Puppet and Model Theatre Guild and all of the performers were Guild members.  This was great because a lot of the BPMTG events are held in places that are a very long way from where we live and this gave us the opportunity to meet many puppeteers who we had previously only heard exploits from via the Guild newsletters.  There was a sort of cabaret on the Saturday night where amongst other things we finally got to see Joseph Peek perform, (who I think may still be the youngest guild member at 12 years old).  Joseph did a fantastic performance with 3 different marionettes and was also enlisted to operate a Billy Preston marionette in the festival finale.  I also understand that he performed in Professor Panic’s Circus Tent at Glastonbury this year, (as we did last year).  There was also a very interesting shadow theatre performance based on Hans Christian Anderson’s fairy tale “The Fir Tree” which I think I had come across before but a very long time ago, (like much of his work it is very sad indeed).  This evening and the finale summed up the way the British Puppet and Model Theatre Guild brings together people from all walks of life, both professional and hobby puppeteers of all levels of experience were free to perform, have a go and try new things.

We also discovered that the “Supermarionation Recreations” exhibition of Classic Thunderbirds and Captain Scarlet models and marionettes was practically next door to where we were in the Crown hotel so enjoyed wandering over to have a look in between some of our performances.  Later on we also found time to take a look at some wonderful marionettes and rod puppets exhibited by Ian Denny and Glen Holden.  We had already seen David’s fabulous Pelham Puppet exhibition, (including the first ever pelham puppet he owned as a child) as this was in the room where we were performing.

The finale was wonderful because we had finished all our shows and could relax and enjoy other people’s performances.  These included a truly delightful and well rehearsed “Lonely Goat Herd” puppetry and dance routine by local young people from Rooftop Studios and they also performed an “I’m a Believer” dance routine based on Shrek.

What impressed me in particular about these young people was the lack of embarrassment and professionalism they displayed, often performances by young people can often be marred by their unwillingness to wholeheartedly throw themselves into a performance for fear of looking uncool in front of their peers, but that was definitely not a problem with these performers’ fantastic contribution.  This was followed by marionettes of The Beatles and Billy Preston re-enacting their famous final rooftop concert.  These were made by David Leech and operated by himself, Joseph Peek, Richard Jones and staff from the Swan pub!

A definite strength of this new festival is that unlike some other festivals who just fly in top acts from around the country and overseas there was a concerted effort to include local people who were just beginning to learn about puppetry and give them a chance to perform in front of real audiences.  This is in addition to the schools puppet making workshops who also participated in the puppet parade and also Professor Pop-up’s puppet & mask making drop-in workshop on both days of the festival.

David & Richard also did an excellent job of including the local businesses and I understand that the traders reported a boost in sales on the festival weekend.  The Crown Hotel was an excellent venue with room for a whole host of shows and exhibitions at once and the historic nature of the architecture, fixtures and fittings of the building were stunning.  In particular the decorative stained glass ceiling window and wooden panelling in the room we performed in were gorgeous.  It was perfect for a show like “Alice in Wonderland” which is a Victorian story celebrating its 150th anniversary this year.

Please feel free to contribute your own comments on the festival by replying to this post 🙂

If you would like to book our “Alice in Wonderland” show for an Autumn/Winter or Christmas event, please get in touch by clicking HERE