A trip to the Victoria & Albert Museum….!

I was recently fortunate enough to be invited to audition with “Oily Cart” for their new production “Ring-a-ding-ding“.  This necessitated me once again trying to find the cheapest way of getting to London and back.  I eventually settled on a drive to Skipton, a megabus to London and a train back to Skipton departing at eightish in the evening.

The huge time gap between the end of the audition and the return train filled me with glee, as this gave me an excuse to visit that fantastic storehouse of wonders: The Victoria & Albert Museum!

I naturally was planning on taking a look at the puppets in the theatre section.  Unfortunately, I didn’t get round to seeing the museum of childhood section but there were plenty of other things on display in any case.

I knew the Little Angel would have some puppets on display, as they had been getting them out of storage when I visited for my Goldilocks audition with them.

After tearing myself away with difficulty from the other collections in the museum, I eventually located the theatre section.  Sure enough, Little Angel’s puppets were there, beautifully displayed in a fantastically carved reclaimed theatre box.

There are far more puppets in the V & A’s collections than are on display at any given time.  There is also a wide variety of educational source material, take a look at the website, where you can find more information on all of the things I’ve taken photos of here.

For those who are confused about what relevance the pictures of the refreshment rooms may have.  I have a personal interest in William Morris and his contemporaries because his links with the Pre-Raphaelite movement.  I did extensive research into this area for my A-level art and design personal project.  I find his wallpaper, tile and stained glass design work intensely satisfying to look at and the philosophy behind it admirable.  Although he has been appropriated in the modern day by the bourgeoisie, at the time his ideas were very radical and involved the ordinary worker regaining dignity and satisfaction from the things he made rather than being just another cog in the wheel of the factory system.

I also think it is important as a theatre maker to have a wide ranging interest in different areas and art forms.  I am very keen on cross collaboration and while specialising in one thing alone can result in high technical prowess, it can be a limited and limiting approach.  I am all for diversity and creativity, hence my attending the Decibel Performing Arts Showcase in Manchester recently.  I shall tell you about that in another post.

For similar reasons I have included pictures of masks.  There is a lot to be said for using a combination of masks and puppetry, as seen in the Lion King Musical stage show and the work of Horse + Bamboo, to mention a couple.  It could be said that a puppet is like a full body mask into which the performer projects their energy, but also uses it as a disguise to hide behind.

I have recently heard from enthusiasts in the Toy Theatre world, that Toy Theatre practitioners hate puppets; who are the enemy because they are more dynamic and accessible and get more attention as a result.  Similarly I have heard hard-line puppeteers decrying the use of puppets by actors in a “storytelling” capacity.  My personal view is that producing great theatre that entertains people is the most important thing, and that any techniques or materials you might use should serve that aim.  That is a mistake that a lot of modern films make.  They get carried away with the technique of the special effects and forget about telling the story well.

Speaking of Toy Theatre, some of you may be wondering about what has happened to the other half of my Toy Theatre adventures in Blackpool.  I was aware that I hadn’t posted anything for a while and thought I would get this one out quickly while I work on finishing the Blackpool post, so eyes peeled for that coming soon!

I am also aware, that I am in the main, woefully ignorant of the history of a lot of the puppets etc. that I have photographed above.  I am also aware that I am getting very few comments on my blog, so please, please!  If you have any extra information on the things in this post please do contribute.  Equally, if you have an opinion on any of the things I’ve mentioned please say!  I would love to have a discussion with you!  Just click on the post title and a comment box and “sharing” options will appear at the bottom.

“Plucked” by Invisible Thread

 

Tim and I were lucky enough to get tickets to see Invisible Thread’s “Plucked” on Saturday 15th of October at Huddersfield University.  Invisible Thread is the artistic vision of Liz Walker formerly of “Faulty Optic” who were well known for distinctly disturbing, surreal and adult puppetry.   We had been invited to a work in progress showing at “Slung Low”‘s “The Hub” in Leeds, a while ago and they were keen to get follow-up feedback from people who had seen the early showings.

 

I have had a deep respect and admiration for Faulty Optic, ever since I saw their “Snuff House Dust Louse” show at the Green Room in Manchester.  It was with my A-level Theatre Studies Group, and the majority of my class-mates were mystified as to what was supposed to be going on in the sections that involved non-verbal storytelling.  I, on the other hand, was enchanted by how the narrative, music and lighting combined to make some green pterodactyl like bird puppets (that would be unusual but inoffensive in another context) into terrifying figures of evil that evoked a physical nerve tingling horror in me at that moment in the show.  The other thing I liked about it, aside from its distincly un-Disneylike appearance and oddity, was that the terrifying and sad parts of the show were turned around into an uplifting, joyous climax.

“Plucked” was similar and different to “SnuffHouse..”.  It contained lovely Heath Robinsonesque sets and I loved the music once again.  An egg-slicer is used to great effect in the scary bits, creating dischordant jangling sounds that send shivers down your spine.  The delightful half-comic half-alarming wolf character emerged to whirlizter style fairground music on an electric guitar heavy on the re-verb. This was once again a huge contributor to the drama of the scene, not merely an appropriate accompaniment.

 

A technique that I had not seen them use before was shadow projection using live drawing in some kind of black paint.  I found this very interesting as a shadow puppet practitioner.  It created a very raw and dark effect which was good for the story, but the drawings were less clear than a traditional shadow show would have been.  They also used a pre-recorded animation using drawings in the same style later on, so it was like a continuation rather than appearing as a separate technique.

 

“Plucked” is definitely not for the squeamish, faint hearted and certainly not for children.  I think the people who will enjoy this most are those who have been clamouring for stories about real women and non-stereotype roles for more mature females.  Although the female protagonist is a bird-like puppet, there is no doubt that it is what it says on the tin, “A true fairytale”.  It is a story about the real struggles of real women and their physical and emotional journeys through life.  If this sounds dull it definitely isn’t the way Invisible Thread do it.

 

I am not a fan of violence, horror and gore for its own sake, but I do like it as part of a story with a happy ending (which I am happy to say this does).  Personally I think it is immensely entertaining on many levels, containing sadness, joy, crudity, violence and love.  It is as wide ranging in emotional scope as a Shakespeare play and is considerably better executed (and shorter) than many performances of the bard’s works.

 

The story turns a personal journey into an epic adventure with many struggles, dangers and a big helping of weirdness.  I would definitely recommend any adults who are fans of excellent theatre and are not scared or weirded-out too easily to see this show.  There are showings around the country up till the end of January next year on their gig list.  Why not see if there’s one in your area?

 

For those of you who are wondering where the second half of the post about our visit to the lovely Hawkins family in Blackpool is.  I shall be returning to that topic in my very next post and you shall find out all about the rest of our toy theatre antics.  Watch this space!