Tag Archives: Ronnie Le Drew

A Marionette Masterclass at The Harlequin Puppet Theatre

Posted on by Collette Knowles
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This door was affected by fire damage from an arson attack and had been replaced when I last visited but hadn’t been repainted yet. This decoration was recreated by Tim Sykes based on photographs of the original door.

The British Puppet Guild put on this special day long event as part of their Centenary Year celebrations.

I had visited the theatre previously when Chris Somerville was still alive. He gifted ownership of the theatre to Mike Dixon in his will. You can see my previous post about the theatre by clicking on the link below:

A visit to the Harlequin Puppet Theatre

The format of the day was really good including hands on practicing with the vintage marionettes at the theatre under the watchful eye of expert marionettist Ronnie le Drew as well as demonstrations of the long string marionettes and demonstrations of the cabaret marionettes by Ian Denny and Glenn Holden.

We also had some interesting talks from Mike about the history of the building including its creation by Eric Bramall and Chris’s subsequent employment by him and the latter days when Chris was running everything as a one man show.

News for the future of the theatre, if you were not already aware, is that Mike (together with other skilled puppeteers) is putting on performances for the public again now. The first one of which is “A Christmas Carol” this December and I understand is already sold out!

Mike, and his partner Jo Slater, are currently in the middle of upgrading the lighting and sound equipment in the building. When Mike took it on, all of the original electrics and equipment were still in place and in working order, but not up to modern standards in terms of quality, safety and energy efficiency.

As well as directing and giving pointers on our technique, Ronnie treated us all to a wealth of reminiscences about his career and early days at The Little Angel Theatre and the people he worked with there. The puppets at the Harlequin and those made by John Wright of The Little Angel both use an upright style of control which (according to my research) is often referred to as a “British” or “English” upright control and features a separate leg bar.

Below are some of the photos Mike kindly shared from the day as well:

We were practicing with a set of puppets that had been made to perform as a set of Music Hall acts and after one rehearsal put on a little show taking into account the feedback we were given. My puppet was performing the song “Henry the Eighth I am” which was great because I know that song quite well. There was a pre-recorded backing track that we had to move the puppets in sync with and the patter of the M.C. character and the links between the tracks were hilarious (in my opinion anyway). I was reminded very strongly of Henry Gordon Jago from the Tom Baker Dr. Who story “The Talons of Weng Chiang”. Big congratulations to Tom on his recent MBE.

Below is a video which takes a tour of the Harlequin Puppet Theatre by The UK Theatre Tour which gives a lot of the history and also shows the Music Hall Puppets that we used:

The Harlequin Puppet Theatre Website is also an excellent resource containing lots of pointers on making, performance and materials for making and stringing puppets Harlequin Puppet Theatre style! CLICK HERE for the site.

Rough Magic Theatre at Covent Garden May Fayre and Puppet Festival

Posted on by Collette Knowles
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Here are some pictures we took while performing at the Covent Garden May Fayre and Puppet Festival on Sunday.

As you can see, we had excellent weather for shadow puppetry as it turned out to be a very sunny day, (that is all using sunlight with no artificial light at all). It is of course possible to do the show in less sunny weather and indeed night time events as I can use my battery powered strip light for that.

I decided to do our “Edward Lear’s Nonsense” show as it is slightly longer than “Jabberwocky!” and thought people would feel they were getting more value for money, I had also already performed “Jabberwocky!” in London and felt like it was worth trying out the other show this time. However, for busking purposes, I can’t help wondering now if the “Jabberwocky!” show would have been better, as with only 8 puppets, the turn around time for performing again would have been faster.

We saw some famous TV puppeteers including Phil Fletcher, Warwick Brownlow-Pike, Ronnie le Drew etc. but missed Harry Hill as we decided to stay with our pitch and didn’t realise that he was the “special event at 3pm.” We also met the incredibly talented ventriloquist/comedian Max Fulham in person for the first time. Max has appeared on TV in Crackerjack amongst other appearances and should definitely be given his own TV show (in my opinion).

Anthony and Miranda really enjoyed themselves and did the whole of the big parade with their Punch and Judy puppets. There was a bit of argument over who should have Mr. Punch, however, and I fear that I might be better off bringing the crocodile instead of Judy if there is a next time. Poor old Judy!

We also brought the Rough Magic flag with us for the parade which was originally made for Glastonbury Festival.

As well as seeing a few old friends we met some new ones. Paul Jackson (our next pitch neighbour) was very friendly and helpful and we also met Cath March of “Invisible Needs” who kindly put us all up at her flat for the weekend, many thanks to both of them.

We also managed to squeeze in a visit to the Victoria and Albert Museum to see the puppets etc. on the Saturday, (see above).