Suitcase Theatre to Pram Theatre?

Christmas Entertainment for "Santa's Late Night Shopping Evening", outside the "Coach House", High Bentham

Christmas Entertainment for “Santa’s Late Night Shopping Evening”, outside the “Coach House”, High Bentham

The Shadow Suitcase Theatre that I created way back in 2004/2005 proved extremely popular, pretty much, from the word go.  It is unusual and quirky and has the advantage of enabling the performer (me) to go and find an audience rather than the other way round.

The one-man-band aspect of singing and stamping, with jingle bells attached to my leg, also seemed to be very popular with audiences too.

The first show I created for it, “Jabberwocky!”, also proved to be a happy choice as it is a great favourite for a lot of people.  One of the obvious advantages of the poem/story is that it’s fairly short and, as such, would not clutter up the interior of the suitcase with more puppets than could be managed at once.

After a while, it became obvious that I needed a new show to go in the theatre so that I’d have something fresh to offer to festivals who might want to invite me back.  I created this second show, “Edward Lear’s Nonsense”, shortly after starting this blog, so you can see the details of my thought processes for creating this show if you search in my earlier posts.

My good blog readers kindly helped me to indentify that another musical poem would be preferable to a spoken version because less people have singing in their puppet shows.

There were far more characters, & therefore puppets, in “The NewVestments” (the Edward Lear poem of choice for the show) and I was still stuck with a suitcase of exactly the same size to store the puppets in.  Luckily, I came up with the idea of fitting the puppets between a concertina of card to help keep them in order whilst performing.

I had come up with a number of ideas for this show that wouldn’t have worked with this suitcase theatre because the suitcase was too deep (or my arms too short).  Thus, I have had in the back of my mind the idea of creating an all new, all singing, all dancing, super-duper suitcase shadow theatre using a more conventionally shaped suitcase, with a “landscape” or “wide screen TV” style shadow screen.

A number of audience members have also, over the years, told me that they would have liked to watch something slightly longer as they were enjoying it so much.  I always saw that as a plus because it is better for an audience to want more than to be bored.  Last year, I had comments from the “Edward Lear’s Nonsense” audiences saying they would have liked to see the puppets on the screen for longer or that they would have liked them to be bigger so that they could take in all of the detail.  I think the children had no problems as they can take things in very quickly and have good eyes for small detail (it tended to be adults that would make these remarks).

As I said earlier, if I made the puppets and the screen larger so that the audience could see them better I would immediately encounter a practical problem with how to store big puppets in a small space, (a space that I have to carry strapped to my body – so weight is also an issue).  If the theatre is made large enough to store large puppets then it would no longer be possible to use it in the way my current theatre is, (strapped on like an ice-cream vendors tray).

This led me to thinking; I’d not have to worry about carrying all the weight around if I were to swap to something like a trolley on wheels or some kind of pram-base.  I could store my mini P.A. system in the shopping tray in the bottom.  I could also try to work out something  more rain-proof than my current set-up.  If it was actually an old style pram, they come with rain hoods already on them – I could perhaps use the original fittings to shower-proof my shows.  The interior of a pram would also contain more room to store bigger puppets.

Thinking of ideal case scenarios as I was perusing vintage prams on Ebay, I noticed that a lot of them had a removable carry cot with handles.  What would stop me from having not only a new, slightly larger, shower proof shadow theatre, but also a portable toy theatre that could be attached or slotted into the pram base as well?

So this is my latest project idea: to create a new portable shadow/toy theatre using a pram base that will enable me to make the puppets slightly larger and, theoretically, to make the shows slightly longer if I want to.  It will also mean that it will be slightly less hard work for me (wheeling something rather than carrying something strapped to my body).

I do have a pram base already as they are so useful in street theatre for large processional puppets, lanterns and percussion rigs etc.  I will have a look at that first to see what potential it has.  Also, on March the 16th in Bentham, there will be the B.E.S.T.(Bentham Environmentally Sustainable Town) annual “Give & Take Day” which is extremely popular and a good way of reducing waste going to landfill. I shall be keeping an eagle eye out there for unwanted prams too.

Currently, I am just investigating possibilities.  I am, as yet, unclear whether I want the theatre to actually look like a vintage pram or whether it’s just the practicalities of the pram that will be useful and not its appearance.  If any of my lovely readers have any ideas about good places to look for unwanted prams (bearing in mind our High Bentham location) or ideas for adapting prams into theatres that they’d like to share, please leave a comment.

Shadow Suitcase Theatre at Beverley Puppet Festival

I had a fantastic time at Beverley Puppet Festival on Sunday.  We only found out about Skipton Puppet Festival Biennial sister festival last year when I met Anna & Haviel from Indigo Moon.  They and the Beverley Arts Trust organise the festival and it was great to be there for the first time.

Beverley is a beautiful place with beautiful old buildings like the Friary, (where the majority of the performances took place) and the minster.  And, most importantly given the recent trend of storms and torrential rain, it was clear and the sun shone brightly throughout the day.

I had been booked to perform both the new “Edward Lear’s Nonsense” suitcase show and the old favourite “Jabberwocky!” as well.  Both seemed to go down very well.

Later on in the afternoon my later sets were spent wandering out of the friary gardens towards the town where there were captive audiences sat outside pubs and restaurants. I do always ask people if they would like to see it first rather than having forced entertainment.

But we also encountered what I presume was a family group in the garden of one of the houses next door to the friary.  On enquiring whether they would like to see the show we discovered that it was the 93rd birthday of one gentleman in the group.  I did him a special birthday performance of “Jabberwocky!” over the low garden wall of the house.  They all enjoyed this so much that they took the birthday “boy” out to look at the rest of the puppet festival afterwards.

I was lucky to have my husband Tim Austin as steward and “roady” for the whole day. He was a star, helping me carry things, making cups of tea and switching my mini PA on and off for me.  It is possible for me to do these things on my own if necessary but it would have been a lot more tiring, especially with the two hour and a half’s drive there and back as well.

We managed to catch one or two of the other shows while we were there including Malcolm Knight’s Punch & Judy, Lady Lucinda by Noisy Oyster and in the evening the fabulous show by Sofie Krog (of Denmark/Spain), “The House”.  This was a comedy horror for adults and teenagers using glove puppets with an extremely sophisticated rotating set like a giant doll’s house.  The puppets looked fantastic and they were operated with fantastic skill but most importantly it was hugely entertaining and funny.  Anna Ingleby had seen them at the Charleville-Meziers festival and gone to the trouble of organising a mini-tour for them in this country so that it would be worth their while to come and do their show in Beverley for us.

A big well done to Anna and Peter Rolinson and all of the other people whose hard work helped make the festival a success especially the lady who made the lovely sandwiches.

Buxton Puppet Festival approaches with rapidity, we will be there on Tuesday the 24th.  You can book for our shadow puppet workshop and Alice in Wonderland performances on the Where You Can See Me page which has links through to the Buxton Opera House site.