Excitement,…Adventure,…Toy Theatre!!!

Do not try this at home.

Do it yourself music recording

Yes, Ladies and Gents, the moment you have all been waiting for has finally arrived,……The new blog post telling you all the latest about our Hansel & Gretel Liquorice theatre show has arrived!

As with Collette and Tim’s previous “meetings” tempers got pretty frayed over the editing of Tim’s lovingly crafted script.  Tim wanted to keep all his lovely dialogue and subtle tones and Collette wanted everything to be shorter and more obvious.  Tim wanted gritty realism, Collette wanted fairytale magic and emotion.

There was another interesting aspect to Tim’s script which I would like to open up for discussion.  As I mentioned in my previous post, the main reason we know the witch in the story is a witch, is because the story teller tells us so, and because she likes to eat children and she lives in an unusual house.  She doesn’t do anything magic at all.

Now, in Tim’s script, he has deliberately not mentioned the word “witch”.  The character is simply referred to by the children as “the old lady”.  Now I am not sure how I feel about this.  I was very keen for her to seem sweet and innocent to begin with, but if after she starts behaving horribly towards the children, she is a “normal” person who chooses to behave in this dreadful way, what impression would that give the audience?  Would it be a lot nastier and more scary if it is a horrible badly behaved old woman who gets pushed in the oven by Gretel?  Is this going to promote capital punishment and taking the law into our own hands?  If she is a witch, does it make it slightly better because she is a magical being of some sort and part of the whole “not to be taken seriously” allegorical nature of the fairytale?

Those who remember “Spitting Image” will know, that there is a lot one can get away with subject matter wise simply by using puppets to do it.  Puppets are not realistic, they can say what they want and they are only puppets, (the fact that a human being is actually putting words into their mouth is something you can get away with).  It is similar with “The Simpsons”.  Because it is a cartoon the format lets the makers of the show deal with challenging subject matter and no-one bats an eyelid.  Despite the fact that it is obviously a show with adult content, many parents let their kids watch it because it is a cartoon.  I would like my show to be scary, but at a suitable level for young children.  On the other hand, one doesn’t want to cater to the scaredy cat little kid too much.

On one occasion when I was putting on a show in a school; we had not brought out any puppets, we hadn’t said anything and my co-performer and I came on and were just about to start speaking when a girl collapsed into terrified tears and had to be taken out.  We were honestly not alarming in appearance, and I can only think it was the shock of us being real people who were actually there, rather than being safely behind a television screen.  I think the 2-d figures of the toy theatre may do a lot to mitigate any realism in the script as they are very obviously not real.

We have also made a start on the music.  I have been having much fun playing with keyboards, drum machines, actual drums, tin whistles etc. and recording stuff into the computer.  This is the very first time that we are using recorded music for a show.  This is for practical reasons as we will have far too much to do with the scenery and characters to be playing live music too.  Having said that, I am using live type instruments and sound effects and recording them into the computer – they will be transferred to an mp3 player and then played through a very useful pa system of modest proportions as and when necessary.  We are using a very useful piece of free software called “Audacity” and it is a lot of fun finding out how to edit music in this way.

So the next jobs are – mocking up sets and puppets, creating a lighting plan and finishing off the music.  In the meanwhile why not leave your comments or vote in my poll about the “witch” issue mentioned previously.  Watch this space for more news, coming some time next week!

Toy Theatre “Made in Lancaster”

On Display at The Duke's Gallery, Lancaster

Toy Theatre-like "Nesting Boxes"

I have recently found out about an interesting local festival that is to be hosted at The Duke’s Theatre in Lancaster. The name of the festival is “Made in Lancaster” and as you might expect it is a showcase of the work of people in Lancaster. It spans many different arts disciplines and is meant to be for edgy experimental or work in progress kind of performances etc. As the theatre day of the festival is on June 11th we do not have any time for new work in progress as we are working on our Hansel & Gretel making and performance for the Vischmarkt Papierentheater Festival to be performed 1-3rd of June. However what we are planning to do is to make a video version of the show before we go to The Netherlands and not only will this mean that the people of Lancaster and anyone else who comes will get to see a version of our Toy Theatre show, and we will have this video then for publicity purposes ourselves, after the event. There are many short film making enthusiasts connected with the Duke’s, both in the Lancaster Film group and also showing their films as part of the Made in Lancaster Festival. So we are hoping that one or two of these gifted individuals will help us out with the filming.

If you’re wondering why we don’t just perform it live, like we will in The Netherlands, the answer is that it does not bind us to being in Lancaster on that date and that the toy theatre and puppets will take a long time to arrange and it would be awkward to slot in between other acts using the same space. We did consider using a live streaming of the performance projected on to a big screen (like George & Ann Neff did for their Nativity show) so that larger numbers could see the performance. But aside from the previously mentioned problems of performing live this would have additional technical elements to deal with and would not necessarily be able to focus on characters and scenery at different distances.

If you’re wondering, what is the picture at the top all about? The answer is that the place where we were holding the meeting about the Made in Lancaster Festival was The Duke’s Gallery, which is inside The Duke’s Theatre building. In this gallery, coincidentally, there were a number of artworks in the form of arty “nesting boxes” which struck me as being reminiscent of Toy Theatres. The whole bird themed exhibition is top quality stuff, very quirky and interesting and definitely worth a look if you’re in the area. Below is a link to an article about the artist who made the above exhibit and another artist involved with the exhibition and it contains Melanie Callaghan‘s email address near the bottom.