Here are some pictures we took while performing at the Covent Garden May Fayre and Puppet Festival on Sunday.
As you can see, we had excellent weather for shadow puppetry as it turned out to be a very sunny day, (that is all using sunlight with no artificial light at all). It is of course possible to do the show in less sunny weather and indeed night time events as I can use my battery powered strip light for that.
I decided to do our “Edward Lear’s Nonsense” show as it is slightly longer than “Jabberwocky!” and thought people would feel they were getting more value for money, I had also already performed “Jabberwocky!” in London and felt like it was worth trying out the other show this time. However, for busking purposes, I can’t help wondering now if the “Jabberwocky!” show would have been better, as with only 8 puppets, the turn around time for performing again would have been faster.
We saw some famous TV puppeteers including Phil Fletcher, Warwick Brownlow-Pike, Ronnie le Drew etc. but missed Harry Hill as we decided to stay with our pitch and didn’t realise that he was the “special event at 3pm.” We also met the incredibly talented ventriloquist/comedian Max Fulham in person for the first time. Max has appeared on TV in Crackerjack amongst other appearances and should definitely be given his own TV show (in my opinion).
Anthony and Miranda really enjoyed themselves and did the whole of the big parade with their Punch and Judy puppets. There was a bit of argument over who should have Mr. Punch, however, and I fear that I might be better off bringing the crocodile instead of Judy if there is a next time. Poor old Judy!
We also brought the Rough Magic flag with us for the parade which was originally made for Glastonbury Festival.
As well as seeing a few old friends we met some new ones. Paul Jackson (our next pitch neighbour) was very friendly and helpful and we also met Cath March of “Invisible Needs” who kindly put us all up at her flat for the weekend, many thanks to both of them.
We also managed to squeeze in a visit to the Victoria and Albert Museum to see the puppets etc. on the Saturday, (see above).
I was recently fortunate enough to be invited to audition with “Oily Cart” for their new production “Ring-a-ding-ding“. This necessitated me once again trying to find the cheapest way of getting to London and back. I eventually settled on a drive to Skipton, a megabus to London and a train back to Skipton departing at eightish in the evening.
The huge time gap between the end of the audition and the return train filled me with glee, as this gave me an excuse to visit that fantastic storehouse of wonders: The Victoria & Albert Museum!
I naturally was planning on taking a look at the puppets in the theatre section. Unfortunately, I didn’t get round to seeing the museum of childhood section but there were plenty of other things on display in any case.
I knew the Little Angel would have some puppets on display, as they had been getting them out of storage when I visited for my Goldilocks audition with them.
After tearing myself away with difficulty from the other collections in the museum, I eventually located the theatre section. Sure enough, Little Angel’s puppets were there, beautifully displayed in a fantastically carved reclaimed theatre box.
There are far more puppets in the V & A’s collections than are on display at any given time. There is also a wide variety of educational source material, take a look at the website, where you can find more information on all of the things I’ve taken photos of here.
For those who are confused about what relevance the pictures of the refreshment rooms may have. I have a personal interest in William Morris and his contemporaries because his links with the Pre-Raphaelite movement. I did extensive research into this area for my A-level art and design personal project. I find his wallpaper, tile and stained glass design work intensely satisfying to look at and the philosophy behind it admirable. Although he has been appropriated in the modern day by the bourgeoisie, at the time his ideas were very radical and involved the ordinary worker regaining dignity and satisfaction from the things he made rather than being just another cog in the wheel of the factory system.
I also think it is important as a theatre maker to have a wide ranging interest in different areas and art forms. I am very keen on cross collaboration and while specialising in one thing alone can result in high technical prowess, it can be a limited and limiting approach. I am all for diversity and creativity, hence my attending the Decibel Performing Arts Showcase in Manchester recently. I shall tell you about that in another post.
For similar reasons I have included pictures of masks. There is a lot to be said for using a combination of masks and puppetry, as seen in the Lion King Musical stage show and the work of Horse + Bamboo, to mention a couple. It could be said that a puppet is like a full body mask into which the performer projects their energy, but also uses it as a disguise to hide behind.
I have recently heard from enthusiasts in the Toy Theatre world, that Toy Theatre practitioners hate puppets; who are the enemy because they are more dynamic and accessible and get more attention as a result. Similarly I have heard hard-line puppeteers decrying the use of puppets by actors in a “storytelling” capacity. My personal view is that producing great theatre that entertains people is the most important thing, and that any techniques or materials you might use should serve that aim. That is a mistake that a lot of modern films make. They get carried away with the technique of the special effects and forget about telling the story well.
Speaking of Toy Theatre, some of you may be wondering about what has happened to the other half of my Toy Theatre adventures in Blackpool. I was aware that I hadn’t posted anything for a while and thought I would get this one out quickly while I work on finishing the Blackpool post, so eyes peeled for that coming soon!
I am also aware, that I am in the main, woefully ignorant of the history of a lot of the puppets etc. that I have photographed above. I am also aware that I am getting very few comments on my blog, so please, please! If you have any extra information on the things in this post please do contribute. Equally, if you have an opinion on any of the things I’ve mentioned please say! I would love to have a discussion with you! Just click on the post title and a comment box and “sharing” options will appear at the bottom.
Puppet Lady 