Skipton International Puppetry Symposium

I attended the first ever Skipton International Puppetry Symposium this last weekend.

It was hosted by Skipton Town Hall who did an excellent job. The talks and networking opportunities were great. It was really lovely to see old friends and people who I’ve only encountered online before plus making new contacts.

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In the first panel discussion at the Symposium was posing the question “Where are we Now” in terms of the puppetry community. The panelists were Mike Dixon from the British Puppet Guild, Cariad Astles from BrUNIMA, Malcolm Knight from PuppeteersUK, Hugh Purves from The Puppet Centre (which is just getting back up and running again after a gap) and Clive Chandler from the PJF. Malcolm also brought his experiences from The Scottish Mask & Puppet Centre to the discussion as well.

David Micklem introduced the discussion and talked about how he felt that in the 90s puppetry was on the fringes but with productions such as “War Horse” and giant puppets by Royale de Luxe arriving on the scene puppetry arrived, (in terms of recognition of the artform).

It was acknowledged that things were difficult now in terms of getting work and funding and that we are in fact down to just one puppetry National Portfolio Organisation getting regularly funded by the Arts Council (Theatre-Rites). Clive also mentioned the lack of support for the arts from local councils now (Birmingham’s arts budget has completely gone and the Cannock Chase museum that Clive has been performing in regularly for years has also gone).

John Parkinson of Upfront Puppet Theatre in Cumbria had a more positive report that their theatre is now receiving a share of the arts funding from their local council for the first time after many years of running their business without any outside support. You can find my other posts about Upfront here: (Snow Queen, Stanelli’s Super Circus, Pied Piper, Commedia dell’Arte masks, Jack & the Beanstalk).

The speakers talked a bit about the organisations they were representing and then questions were taken from the floor including the discussion of the fact that there is not a tick box for puppetry as an art form on the Arts Council England grant forms when even relatively niche art forms like mime are represented. There was a lot of discussion about how we can start working together as a cohesive group to advocate for puppetry as an art form. PuppeteersUK was originally set up to do this job of bringing the puppetry community together in the modest form of a listings directory on a website and sending out a weekly newsletter. Nowadays anyone can make their own website very easily so the monetary support for PUK has been dwindling.

On the second day of the Symposium I attended the Devoted & Disgruntled session (CLICK HERE for my previous D&D at Leeds Playhouse post, CLICK HERE for D&D at The Little Angel Theatre post) at which one of the breakout sessions was discussing how PUK needed to change to address the new issues affecting the puppetry community and what new form it needed to take. This session segwayed into a different session that was thinking in a very freeform creative sort of way about an app for puppeteers that would be more like a game so that people (and younger people in particular) would want to engage with it something like Club Penguin. This was described as Puppet Utopia and was structured as a village with various areas to do different things e.g. a bank to talk about/access funding, a school for accessing puppetry training, a garden where new ideas can grow etc. etc.

I also formed my own session about how puppeteers can get paid a fair wage when the funding climate is so difficult and looked in on a session about the UK puppet festivals working together and maybe forming some sort of network and perhaps co-commissioning new work (something like WithoutWalls does).

You can also read about the discussion of Other Sectors & Wider Networks by clicking the link HERE

You can access the reports from all the Open Space discussions that have ever been held on the Devoted & Disgruntled website and search for whatever topics are relevant to you (including puppetry) in the drop down menus. I notice that not all the break out sessions have uploaded a report, so if this is you, please take a moment to upload a report of your group to the site, as this is a great resource for the puppetry community to be able to access.

You can see at the top some photos from the Halloween Shadow Puppetry Drop-In Workshop that I ran on the Sunday and below is a little video snippit from one of my audience members at my “Edward Lear’s Nonsense” show.

Do please leave a comment if you have anything to add about the Symposium and don’t forget, you can subscribe to this blog, if you would like to receive regular updates.

If you would like to book one of my suitcase shows or a workshop, you can Contact Me Here 😊.

“Alice”, Spoon Puppets, “Devoted & Disgruntled” and a new Treasurer for a new Equity Branch

“We’ll follow Mr. Spoon!….”

Once again I have abandoned my loyal blog readers for far too long and I have a lot of news for you.

We have a performance of our ever popular “Alice in Wonderland” coming up at a Primary school and a rod puppet workshop coming up at another Primary School.  The picture shows my basic prototype for a spoon rod puppet that the children will be making to help them learn about joints.  We’ll also be looking at facial expressions and character and puppet performance.

Tim Austin and I attended the “Devoted & Disgruntled” roadshow session at the West Yorkshire Playhouse on Friday the 5th of October.  There were two days, but we were only able to make the second day.  Luckily for us, (and for all of you non-attendees out there) there are reports from not only the sessions at the WYP but from all of the roadshow sessions across the country, (click HERE to see reports).

For those of you who are wondering what on earth Devoted & Disgruntled is and what it’s got to do with me or you, I think the best explanations are on their website.  Basically, it involves anyone who is passionate about theatre getting together and having lots of mini-discussion groups discussing various issues about the past present and future of theatre. This may sound deadly dull, but essentially one person would pick a question that is of interest to them and anyone who was interested could go to that group and join the discussion.  Because of this, everyone would be talking about real issues of real importance to them.

The other interesting part was that you had an extremely wide range of people attending, from puppetry professionals like myself, “Odd Doll” and “Frolicked” to students, from professionals starting out, to heavy hitters from the big theatre institutions and companies including, of course, the West Yorkshire Playhouse itself.

I expected the discussions to be dominated by the big “important” people and that I would be mainly listening to what other people with more knowledge and experience than myself had to say.  But I ended up contributing a lot myself and felt that I was not only on a level with other people there but that some were actually looking up to me and seeking me out to ask questions which was an interesting experience.

I took part in a discussion about indoor and outdoor theatre and the relationships between them led by Beka Haigh, (Frolicked);  a discussion with Claire Symonds from the Arts Council who was gathering thoughts on how the arts council could make their grant application process less scary;  a discussion posed by Rebekah from Odd Doll on the role of puppetry in the future of theatre and Gloria Lindh, a theatre producer, posing a question about what to charge when you’ve got no money.

I met lots of really interesting and nice people in a relaxed environment.  It felt that everyone was being honest and sharing without any hidden agendas.  It was good to be with fellow professionals as it is easy to feel isolated, like you’re working in a bubble in our line of work.

I also have another more local support network to turn to now, in the form of the new North Lancashire & Cumbria Equity General Branch.  Previously, if I had wanted to attend an Equity meeting, my closest is the Blackpool Variety Branch which is quite a distance for a regular unpaid trip.

The New Branch had it’s first AGM in Lancaster on Monday the 15th and the details for the next meeting will be posted on the Equity website, (CLICK HERE) for anyone interested in attending.  I was so keen to make sure the branch is a success that I agreed to be Treasurer, (someone had to do it).

A surprisingly wide variety of people have been attending.  I was initially worried that no-one else would be in the same line of work as myself and so would end up not having issues relevant to me being dealt with;  but there was someone who runs their own young people’s theatre group (Whirlwind Theatre For Children) and someone else who works with puppets at the last meeting.  In any case, it is my job to make sure my own concerns are heard and not wait around for other people to guess what they are.  This group is a chance to make things happen and get involved.  You get out of a meeting what you put in.

Anyone who is in the North Lancashire and Cumbria area, please come along.  The plan is to make the meetings as fun and friendly as possible, with opportunities to showcase work in a supportive environment.  We are also aiming to provide local training that is relevant to members.  If you have other ideas for things that the branch can do, please come and share them.

It is also looking like I shall be doing some local Christmas performances, more news on that soon…