Upfront Puppet Theatre Museum Now Open!

This Easter holidays we were very excited to discover that the long awaited Upfront Puppet Museum is now open and visitors with tickets to see the fantastic “Stanelli’s Super Circus” show were able to take a peek at the extensive and diverse range of puppets from all over the world. Visitors with children will be thrilled to discover that not all the puppets are in protective cases but are available for people to have a go in two delightful theatres that I presume John Parkinson has made himself. One is a marionette theatre with a bridge (raised platform) at the back, light switch and working curtain and the other is a glove puppet booth for Punch & Judy. The video and photos show my kids having a go with these plus the overhead projector and shadow puppets. John still has plans for further improvements but opening the museum now means he can get some contributions which will go towards these.

I also got to see another room where more of Stan Parker’s “Super Circus” puppets were displayed when they are not performing. I believe John rings the changes and swaps certain puppets in and out of the show. I noticed that he changed the puppet who was performing as the M.C. character from the last time we watched this show, for example.

I was also delighted to meet Molly Agar (who I met at the Skipton International Puppetry Symposium) again as she was puppeteering the marionettes for the show with John. She did an incredible job considering that this was her first experience working with marionettes. All of the different puppets had their own particular stringing and characteristics to allow them to do their own particular tricks. Molly even used a dissecting skeleton puppet as part of the performance (a very popular type of cabaret style marionette). Learning to do all of that in a short space of time is no mean feat.

I have been to see this show at least 3 times now and it is lovely to see how the show has become honed and improved over the years. It is a very slick, highly entertaining, skilled performance with lots of laughs and audience interaction. As John says in his introduction it is a unique opportunity to see vintage circus marionettes being used in performance rather than hung up in a museum display. Real living history.

So, to conclude, I heartily recommend both the shows and the new museum. Upfront put on performances during school holiday periods so keep your eyes peeled for future showings. They hope to make museum tickets available to book on the website soon.

I have a number of other posts about visits to Upfront Puppet Theatre, feel free to browse some of the back catalogue below:

A Trip to the Puppet Circus

The Snow Queen

Jack and the Beanstalk

Pinocchio

Skipton International Puppetry Symposium

I attended the first ever Skipton International Puppetry Symposium this last weekend.

It was hosted by Skipton Town Hall who did an excellent job. The talks and networking opportunities were great. It was really lovely to see old friends and people who I’ve only encountered online before plus making new contacts.

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In the first panel discussion at the Symposium was posing the question “Where are we Now” in terms of the puppetry community. The panelists were Mike Dixon from the British Puppet Guild, Cariad Astles from BrUNIMA, Malcolm Knight from PuppeteersUK, Hugh Purves from The Puppet Centre (which is just getting back up and running again after a gap) and Clive Chandler from the PJF. Malcolm also brought his experiences from The Scottish Mask & Puppet Centre to the discussion as well.

David Micklem introduced the discussion and talked about how he felt that in the 90s puppetry was on the fringes but with productions such as “War Horse” and giant puppets by Royale de Luxe arriving on the scene puppetry arrived, (in terms of recognition of the artform).

It was acknowledged that things were difficult now in terms of getting work and funding and that we are in fact down to just one puppetry National Portfolio Organisation getting regularly funded by the Arts Council (Theatre-Rites). Clive also mentioned the lack of support for the arts from local councils now (Birmingham’s arts budget has completely gone and the Cannock Chase museum that Clive has been performing in regularly for years has also gone).

John Parkinson of Upfront Puppet Theatre in Cumbria had a more positive report that their theatre is now receiving a share of the arts funding from their local council for the first time after many years of running their business without any outside support. You can find my other posts about Upfront here: (Snow Queen, Stanelli’s Super Circus, Pied Piper, Commedia dell’Arte masks, Jack & the Beanstalk).

The speakers talked a bit about the organisations they were representing and then questions were taken from the floor including the discussion of the fact that there is not a tick box for puppetry as an art form on the Arts Council England grant forms when even relatively niche art forms like mime are represented. There was a lot of discussion about how we can start working together as a cohesive group to advocate for puppetry as an art form. PuppeteersUK was originally set up to do this job of bringing the puppetry community together in the modest form of a listings directory on a website and sending out a weekly newsletter. Nowadays anyone can make their own website very easily so the monetary support for PUK has been dwindling.

On the second day of the Symposium I attended the Devoted & Disgruntled session (CLICK HERE for my previous D&D at Leeds Playhouse post, CLICK HERE for D&D at The Little Angel Theatre post) at which one of the breakout sessions was discussing how PUK needed to change to address the new issues affecting the puppetry community and what new form it needed to take. This session segwayed into a different session that was thinking in a very freeform creative sort of way about an app for puppeteers that would be more like a game so that people (and younger people in particular) would want to engage with it something like Club Penguin. This was described as Puppet Utopia and was structured as a village with various areas to do different things e.g. a bank to talk about/access funding, a school for accessing puppetry training, a garden where new ideas can grow etc. etc.

I also formed my own session about how puppeteers can get paid a fair wage when the funding climate is so difficult and looked in on a session about the UK puppet festivals working together and maybe forming some sort of network and perhaps co-commissioning new work (something like WithoutWalls does).

You can also read about the discussion of Other Sectors & Wider Networks by clicking the link HERE

You can access the reports from all the Open Space discussions that have ever been held on the Devoted & Disgruntled website and search for whatever topics are relevant to you (including puppetry) in the drop down menus. I notice that not all the break out sessions have uploaded a report, so if this is you, please take a moment to upload a report of your group to the site, as this is a great resource for the puppetry community to be able to access.

You can see at the top some photos from the Halloween Shadow Puppetry Drop-In Workshop that I ran on the Sunday and below is a little video snippit from one of my audience members at my “Edward Lear’s Nonsense” show.

Do please leave a comment if you have anything to add about the Symposium and don’t forget, you can subscribe to this blog, if you would like to receive regular updates.

If you would like to book one of my suitcase shows or a workshop, you can Contact Me Here 😊.